Goldstein examines the print culture of seventeenth-century France through a study of Abraham Bosse, a well-known printmaker, illustrator and author.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Carl Goldstein is a professor of art at the University of North Carolina, Greensboro. He has been the recipient of fellowships and grants from the Kress Foundation, the Howard Foundation, and the Philosophical Society of America. He has published widely, including Visual Fact over Verbal Fiction: A Study of the Carracci and the Theory, Criticism, and Practice of Painting in Renaissance and Baroque Italy and Teaching Art: Academies and Schools from Vasari to Albers.
Inhaltsangabe
1. A printmaking revolution 2. Scenes of everyday life 3. Drama, theater, and prints 4. Contingencies and contradictions 5. A royal portrait 6. Image and text: reading single-sheet prints 7. Book illustrations 8. Books and pamphlets.
1. A printmaking revolution 2. Scenes of everyday life 3. Drama, theater, and prints 4. Contingencies and contradictions 5. A royal portrait 6. Image and text: reading single-sheet prints 7. Book illustrations 8. Books and pamphlets.
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