Printed Textile Design: The Profession, the Evolution, the Design walks us through the different aspects of textile design as a process and a profession. The authors describe the steps involved in projects within the fashion, home and garden sectors of textile design, and also examine the specific characteristics of these three sectors. They pay special attention to current tendencies and offer an excellent insight into interpreting trends, which is essential for textile designers. The projects shown, developed by students approaching the professional level, provide the reader with outstanding…mehr
Printed Textile Design: The Profession, the Evolution, the Design walks us through the different aspects of textile design as a process and a profession. The authors describe the steps involved in projects within the fashion, home and garden sectors of textile design, and also examine the specific characteristics of these three sectors. They pay special attention to current tendencies and offer an excellent insight into interpreting trends, which is essential for textile designers. The projects shown, developed by students approaching the professional level, provide the reader with outstanding explanatory case studies. This teaching resource is a key aid for both students and young professionals. It also includes a highly useful list of professional contacts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marie-Christine Noel is a lecturer in Applied Arts. She graduated from the Ecole Nationale Supérieure des Arts Décoratifs (Textile Design) and the Ecole Nationale Supérieure des Beaux-Arts de Paris (Painting). For the last ten years she has been working for the Carlin International Style Agency as a manager of the textile department. She is now pedagogical director of the introductory courses and responsible of post-graduate courses at the School of Art François Conte, Paris, France. Michael Cailloux was born in Paris in 1975 and received a diploma in Applied Arts from the École Duperré. He is co-creator of the Atelier LZC which specialized in the creation of design objects, working for over ten years on the collections displayed at the Maison et Objets, as well as creating personalized pieces for such brands as Baccarat, Cartier, Habitat, Van Cleef & Arpels, or S.T. Dupont. He is currently artistic director at the Ecole supérieure d'art Françoise Conte, specialized in textile creation, and he is also a jewelry designer.
Inhaltsangabe
5 Introduction 6 Presentation and objectives of the work 7 Who is it for? 9 1. Practicing the craft 10 Textile designer profile 20 Sectors of activity: fashion 23 Sectors of activity: fashion environment 24 Sectors of activity: the home 28 Sectors of activity: home environment 29 Sectors of activity: niches 30 Functions of the textile designer 33 The structures in which textile designers exercise their craft 36 Status of textile designers 37 The textile designer's tools 42 Student testimonies 46 Testimonies of professionals 55 2. Professional skills 56 Trends: definition, content and use 60 Trends: how they function 61 Trendsetters 62 The life cycle of a trend 63 Mediums of expression and illustration 64 Deciphering, analyzing and synthesizing a trend 68 EXERCISES 70 Method of presentation of a trend 76 EXERCISES 78 Mastering color: necessary tools and knowledge 81 Different lines and their use 82 Putting together a line based on a trend 86 EXERCISES 88 Mastering the drawing: graphic research 91 Observational drawing and analytical drawing 92 Deconstructing and stylizing a shape 94 Creating variations of a drawing 96 Putting together a panel of drawings 98 EXERCISES 100 Mastering different compositions: motif and isolated motif 102 Mastering different compositions: general stamping 104 Mastering adjustments 108 Sketch drawn by hand 110 Sketch made with computer graphics 112 Example of an application simulation 114 EXERCISES 116 Establishing and creating a product line 118 Industrial printing techniques 120 Artisanal printing techniques 126 EXERCISES 128 Testimony of a professional: Focus on the trend 131 3. Development of projects 132 Botany trend 144 EXERCISES 146 Animal trend 156 EXERCISES 158 Three graduation projects 186 EXERCISES 189 Annexes 190 Program 195 Bibliography 196 Acknowledgements 197 Iconographic credits
5 Introduction 6 Presentation and objectives of the work 7 Who is it for? 9 1. Practicing the craft 10 Textile designer profile 20 Sectors of activity: fashion 23 Sectors of activity: fashion environment 24 Sectors of activity: the home 28 Sectors of activity: home environment 29 Sectors of activity: niches 30 Functions of the textile designer 33 The structures in which textile designers exercise their craft 36 Status of textile designers 37 The textile designer's tools 42 Student testimonies 46 Testimonies of professionals 55 2. Professional skills 56 Trends: definition, content and use 60 Trends: how they function 61 Trendsetters 62 The life cycle of a trend 63 Mediums of expression and illustration 64 Deciphering, analyzing and synthesizing a trend 68 EXERCISES 70 Method of presentation of a trend 76 EXERCISES 78 Mastering color: necessary tools and knowledge 81 Different lines and their use 82 Putting together a line based on a trend 86 EXERCISES 88 Mastering the drawing: graphic research 91 Observational drawing and analytical drawing 92 Deconstructing and stylizing a shape 94 Creating variations of a drawing 96 Putting together a panel of drawings 98 EXERCISES 100 Mastering different compositions: motif and isolated motif 102 Mastering different compositions: general stamping 104 Mastering adjustments 108 Sketch drawn by hand 110 Sketch made with computer graphics 112 Example of an application simulation 114 EXERCISES 116 Establishing and creating a product line 118 Industrial printing techniques 120 Artisanal printing techniques 126 EXERCISES 128 Testimony of a professional: Focus on the trend 131 3. Development of projects 132 Botany trend 144 EXERCISES 146 Animal trend 156 EXERCISES 158 Three graduation projects 186 EXERCISES 189 Annexes 190 Program 195 Bibliography 196 Acknowledgements 197 Iconographic credits
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