Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
Jane A. Bernstein is Austin Fletcher Professor of Music Emerita at Tufts University. Her books include Print Culture and Music in Sixteenth-Century Venice, Women's Voices across Musical Worlds, the 30-volume series The Sixteenth-Century Chanson, and Music Printing in Renaissance Venice: The Scotto Press (1539-1572), which won the 1999 Otto Kinkeldey Award from the American Musicological Society. Elected a Fellow of the American Academy of Arts and Sciences in 2005, Bernstein also served as President of the American Musicological Society from 2008 to 2010 and was elected an Honorary Member in 2014.
Inhaltsangabe
* List of Illustrations * List of Tables * Preface * Abbreviations * Introduction * 1. The World of Roman Music Printers and Publishers * 2. Methods and Materials * 3. Sixtus IV and the Beginning of Music Printing in Fifteenth-Century Rome * 4. Printing Palestrina's Music in Sixteenth-Century Italy * 5. Marenzio and his Printers in Rome and Venice * 6. Spanish Choirbooks, Tridentine Reforms, and the Roman Press * 7. "Delight for the Ears, Spiritual Fruit for Souls": Printing the Lauda spirituale * 8. Engraving the New Music Repertories * 9. Printing Musical Spectacle: Cavalieri's Rappresentatione di anima, et di corpo * Afterword * Appendix 1: Short-Title Catalogue of Roman Music Editions (1476-1608) * Appendix 2: Short-Title Catalogue of Roman Music Editions (1476-1607) by Printers and Publishers * Appendix 3: Table of Dedicatees in Roman Music Editions (1476-1608) * Bibliography * Index
* List of Illustrations * List of Tables * Preface * Abbreviations * Introduction * 1. The World of Roman Music Printers and Publishers * 2. Methods and Materials * 3. Sixtus IV and the Beginning of Music Printing in Fifteenth-Century Rome * 4. Printing Palestrina's Music in Sixteenth-Century Italy * 5. Marenzio and his Printers in Rome and Venice * 6. Spanish Choirbooks, Tridentine Reforms, and the Roman Press * 7. "Delight for the Ears, Spiritual Fruit for Souls": Printing the Lauda spirituale * 8. Engraving the New Music Repertories * 9. Printing Musical Spectacle: Cavalieri's Rappresentatione di anima, et di corpo * Afterword * Appendix 1: Short-Title Catalogue of Roman Music Editions (1476-1608) * Appendix 2: Short-Title Catalogue of Roman Music Editions (1476-1607) by Printers and Publishers * Appendix 3: Table of Dedicatees in Roman Music Editions (1476-1608) * Bibliography * Index
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