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Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.

Produktbeschreibung
Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
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Autorenporträt
Jane A. Bernstein is Austin Fletcher Professor of Music Emerita at Tufts University. Her books include Print Culture and Music in Sixteenth-Century Venice, Women's Voices across Musical Worlds, the 30-volume series The Sixteenth-Century Chanson, and Music Printing in Renaissance Venice: The Scotto Press (1539-1572), which won the 1999 Otto Kinkeldey Award from the American Musicological Society. Elected a Fellow of the American Academy of Arts and Sciences in 2005, Bernstein also served as President of the American Musicological Society from 2008 to 2010 and was elected an Honorary Member in 2014.