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Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other.

Produktbeschreibung
Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other.
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Autorenporträt
Michael Goodrum is Senior Lecturer in Modern History at Canterbury Christ Church University in the UK Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and Design in Hong Kong