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Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other.

Produktbeschreibung
Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other.
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Autorenporträt
Michael Goodrum is Reader in Cultural History at Canterbury Christ Church University Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and Design