Examining the work of key Southeast and East Asian artists, Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today.
Examining the work of key Southeast and East Asian artists, Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today.
Michael M. J. Fischer is Andrew W. Mellon Professor in the Humanities and Professor of Anthropology and Science and Technology Studies at the Massachusetts Institute of Technology. He is the author of numerous books, including At the Pivot of East and West: Ethnographic, Literary, and Filmic Arts and Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century, both also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Introduction 1 1. Challenging Art as Cultural Systems 12 2. Synthetic Realism: Postcinema in the Anthropocene 31 3. Feminage, Warang, and the Nervous System (Hauntology and Curation) 71 4. Nomadic Video in Turbulent Sea States: How Art Becomes Critique 100 5. Water Notes on Rattan Strings 132 6. Raw Moves and Layered Communication across the Archipelago Seas 165 Epilogue. Probing Art and Emerging Forms of Life 197 Appendix. The Year 2020 and the Camouflage Painting Series: Conversations with Entang Wiharso 215 Notes 221 References 253 Index 281
Acknowledgments ix Introduction 1 1. Challenging Art as Cultural Systems 12 2. Synthetic Realism: Postcinema in the Anthropocene 31 3. Feminage, Warang, and the Nervous System (Hauntology and Curation) 71 4. Nomadic Video in Turbulent Sea States: How Art Becomes Critique 100 5. Water Notes on Rattan Strings 132 6. Raw Moves and Layered Communication across the Archipelago Seas 165 Epilogue. Probing Art and Emerging Forms of Life 197 Appendix. The Year 2020 and the Camouflage Painting Series: Conversations with Entang Wiharso 215 Notes 221 References 253 Index 281
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