Andere Kunden interessierten sich auch für
![Corpus Pattern Analysis and Sense Disambiguation. A Case Study]( "Corpus Pattern Analysis and Sense Disambiguation. A Case Study")
Corpus Pattern Analysis and Sense Disambiguation. A Case Study29,99 €![The Problematic Nature of Defining Grendel¿s Mother in "e;Beowulf"e;]( "The Problematic Nature of Defining Grendel¿s Mother in "e;Beowulf"e;")
The Problematic Nature of Defining Grendel¿s Mother in "e;Beowulf"e;17,95 €![Original versus Adaptation. The Problematic Notion of Faithfulness]( "Original versus Adaptation. The Problematic Notion of Faithfulness")
Original versus Adaptation. The Problematic Notion of Faithfulness15,95 €![Why is the Present Perfect such a problematic tense?]( "Why is the Present Perfect such a problematic tense?")
Why is the Present Perfect such a problematic tense?17,95 €![Language¿s influence on control and rebellion in Margaret Atwood¿s "e;The Handmaid¿s Tale"e;]( "Language¿s influence on control and rebellion in Margaret Atwood¿s "e;The Handmaid¿s Tale"e;")
Language¿s influence on control and rebellion in Margaret Atwood¿s "e;The Handmaid¿s Tale"e;17,95 €![Making Sense of the Holocaust by Means of Backward Narration]( "Making Sense of the Holocaust by Means of Backward Narration")
Making Sense of the Holocaust by Means of Backward Narration14,99 €![Female Cunningness and Male Deception in Jane Austen's 'Northanger Abbey' and 'Sense and Sensibility' and in Henry Fielding's 'Tom Jones']( "Female Cunningness and Male Deception in Jane Austen's 'Northanger Abbey' and 'Sense and Sensibility' and in Henry Fielding's 'Tom Jones'")
Female Cunningness and Male Deception in Jane Austen's 'Northanger Abbey' and 'Sense and Sensibility' and in Henry Fielding's 'Tom Jones'17,95 €
![The Problematic Nature of Defining Grendel¿s Mother in "e;Beowulf"e;](https://bilder.buecher.de/produkte/42/42317/42317332n.jpg "The Problematic Nature of Defining Grendel¿s Mother in "e;Beowulf"e;")
![Language¿s influence on control and rebellion in Margaret Atwood¿s "e;The Handmaid¿s Tale"e;](https://bilder.buecher.de/produkte/57/57009/57009538n.jpg "Language¿s influence on control and rebellion in Margaret Atwood¿s "e;The Handmaid¿s Tale"e;")
Research Paper (undergraduate) from the year 2009 in the subject English Language and Literature Studies - Literature, , language: English, abstract: From the start, as the writer of fiction puts pen to paper, s/he is met with the dumbness of the blank space of the page and challenged by a welter of questions: How to begin? What to say? How to inform silence? How to make sense and coherence out of inchoate amorphousness? How to account for the lived experience? The novel's primary aim is to tell a story, according to E. M. Forster in his not-so-antiquated "Aspects of the Novel". The narrated story, more often than not, voices silent characters whose histories and frames of mind are revealed by an external agent/consciousness (the narrator/the author/another character/a godlike or limited viewpoint). Occasionally, the story tells itself in the form of first-hand dramatised dialogues when the characters assume some distinct voice of their own, different from, and / or blending with, that of a third-person narrator/godlike author.