Producing Bollywood is an in-depth ethnography of the Bombay-based Hindi film industry, more popularly known as Bollywood. Taking readers inside this hugely popular global industry, Tejaswini Ganti focuses on the social world and professional practices of well-known Hindi filmmakers.
Producing Bollywood is an in-depth ethnography of the Bombay-based Hindi film industry, more popularly known as Bollywood. Taking readers inside this hugely popular global industry, Tejaswini Ganti focuses on the social world and professional practices of well-known Hindi filmmakers.
Acknowledgments ix Introduction. How the Hindi Film Industry Became "Bollywood" 1 Part 1. The Social Status of Films and Filmmakers 1. From Vice to Virtue: The State and Filmmaking in India 41 2. From Slumdogs to Millionaires: The Gentrification of Hindi Cinema 77 3. Casting Respectability 119 Part 2. The Practices and Processes of Film Production 4. A Day in the Life of a Hindi Film Set 155 5. The Structure, Organization, and Social Relations of the Hindi Film Industry 175 6. Sentiments of Disdain and Practices of Distinction: The Work Culture of the Hindi Film Industry 215 7. Risky Business: Managing Uncertainty in the Hindi Film Industry 243 Part 3. Discourses and Practices of Audience-Making 8. Pleasing Both Aunties and Servants: The Hindi Film Industry and Its Audience Imaginaries 281 9. The Fear of Large Numbers: The Gentrification of Audience Imaginaries 315 Epilogue: My Name Is Bollywood 359 Notes 367 Bibliography 401 Index 419
Acknowledgments ix Introduction. How the Hindi Film Industry Became "Bollywood" 1 Part 1. The Social Status of Films and Filmmakers 1. From Vice to Virtue: The State and Filmmaking in India 41 2. From Slumdogs to Millionaires: The Gentrification of Hindi Cinema 77 3. Casting Respectability 119 Part 2. The Practices and Processes of Film Production 4. A Day in the Life of a Hindi Film Set 155 5. The Structure, Organization, and Social Relations of the Hindi Film Industry 175 6. Sentiments of Disdain and Practices of Distinction: The Work Culture of the Hindi Film Industry 215 7. Risky Business: Managing Uncertainty in the Hindi Film Industry 243 Part 3. Discourses and Practices of Audience-Making 8. Pleasing Both Aunties and Servants: The Hindi Film Industry and Its Audience Imaginaries 281 9. The Fear of Large Numbers: The Gentrification of Audience Imaginaries 315 Epilogue: My Name Is Bollywood 359 Notes 367 Bibliography 401 Index 419
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