Productive Imagination
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Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined. The significance of productive imagination is therefore all-too-often either inflated or underrated. The articles collected in this volume trace the development of productive imagination through the history of philosophy, identify the different meanings this concept has been ascribed in different philosophical frameworks, and raise the question anew concerning this concept's philosophical…mehr

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Produktbeschreibung
Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined. The significance of productive imagination is therefore all-too-often either inflated or underrated. The articles collected in this volume trace the development of productive imagination through the history of philosophy, identify the different meanings this concept has been ascribed in different philosophical frameworks, and raise the question anew concerning this concept's philosophical significance. Special attention is given to the historical background that underlies the emergence of productive imagination in modernity, to Kant's concept of productive imagination, to the further development of this concept in German Idealism, Wilhelm Dilthey, Edmund Husserl, Ernst Cassirer and Martin Heidegger, Jean-Paul Sartre and Paul Ricoeur. A group of leading scholars present a systematic and comprehensive reference tool for anyone working in the firsl of social imaginaries.
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Autorenporträt
Saulius Geniusas is Associate Professor of Philosophy at the Chinese University of Hong Kong. He is the author of The Origins of the Horizon in Husserl's Phenomenology (2012), co-editor of Hermeneutics and Phenomenology: Figures and Themes (with Paul Fairfield, forthcoming), Relational Hermeneutics: Essays in Comparative Philosophy (with Paul Fairfield, forthcoming), and Phenomenological Ethics (A Special Issue of Santalka: Filosofija, 17/3, 2009). Dmitri Nikulin is Professor of Philosophy at The New School for Social Research in New York. He is the author of a number of books including Matter, Imagination and Geometry (2002), On Dialogue (2006), Dialectic and Dialogue (2010), Comedy, Seriously (2014), and The Concept of History (2017).