Jonathan Kregor is Associate Professor of Musicology at the University of Cincinnati's College-Conservatory of Music. He is the author of Liszt as Transcriber (Cambridge University Press, 2010), winner of the inaugural Alan Walker Book Award from the American Liszt Society, as well as articles and reviews in numerous academic journals. Since 2012 he has been editor of the Journal of the American Liszt Society. His research interests in musical reproduction, confluences of virtuosity and gender, and music and memory have led to critical editions of works by C. P. E. Bach and Clara Schumann.
Inhaltsangabe
Introduction 1. Characters, topics, and the programmatic battlefield 2. Expression, musical painting, and the concert overture 3. Berlioz and Schumann on music and literature 4. Liszt and the symphonic poem 5. The New German School and beyond 6. Excursus: Faust 7. Programmatic paths around the fin de siècle: Mahler and Strauss 8. Programming the nation 9. 'Ars Gallica'.
Introduction 1. Characters, topics, and the programmatic battlefield 2. Expression, musical painting, and the concert overture 3. Berlioz and Schumann on music and literature 4. Liszt and the symphonic poem 5. The New German School and beyond 6. Excursus: Faust 7. Programmatic paths around the fin de siècle: Mahler and Strauss 8. Programming the nation 9. 'Ars Gallica'.
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