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This book shows the progression of technical difficulty in the three Brazilian Suites for solo piano by Oscar Lorenzo Fernândez (1897 - 1948), from the point of view of writing and pianistic technique, using tools that help to identify the existing difficulties. The work was analysed using the following previously established categories: tempo and rhythm, melody, texture and sonority. Each of these categories was given three possible levels of difficulty: little difficulty, reasonable difficulty and great difficulty. The analysis enabled comparisons to be made between the pieces on the basis…mehr

Produktbeschreibung
This book shows the progression of technical difficulty in the three Brazilian Suites for solo piano by Oscar Lorenzo Fernândez (1897 - 1948), from the point of view of writing and pianistic technique, using tools that help to identify the existing difficulties. The work was analysed using the following previously established categories: tempo and rhythm, melody, texture and sonority. Each of these categories was given three possible levels of difficulty: little difficulty, reasonable difficulty and great difficulty. The analysis enabled comparisons to be made between the pieces on the basis of the criteria used and proved the existence of a gradation of pianistic difficulty in the three Suítes Brasileiras.
Autorenporträt
Júnia Santiago began her musical studies at an early age and today has a Bachelor's Degree in Music (Piano) from UEMG with Pedagogical Complementation from the Carlos Gomes State Institute - Pará, a Master's Degree in Music (Musical Performance) from UFMG and a Specialism in Music Therapy from the Brazilian Conservatory of Music in Rio de Janeiro.