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Printmaking exploded on the American art scene after World War II, rapidly expanding from New York to the Midwest and beyond. Central to this movement and its development was the University of Wisconsin -- Madison, where a group of talented young artists was making prints and developing a print curriculum. Progressive Printmakers documents, in words and stunning pictures, the breakthrough aesthetics and technical innovations that made the Madison printmakers a force in the art world. In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison. The…mehr

Produktbeschreibung
Printmaking exploded on the American art scene after World War II, rapidly expanding from New York to the Midwest and beyond. Central to this movement and its development was the University of Wisconsin -- Madison, where a group of talented young artists was making prints and developing a print curriculum. Progressive Printmakers documents, in words and stunning pictures, the breakthrough aesthetics and technical innovations that made the Madison printmakers a force in the art world. In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison. The distinguished print historian, the late James Watrous, provides an introductory overview, placing the program's development in the national context of the American print renaissance. A concluding chapter traces the founding of Tandem Press, an exciting extension of the Wisconsin print curriculum. As Watrous notes, the university's commitment has been "renewed again and again during a half-century when printmaking flourished in America as never before."
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Autorenporträt
Warrington Colescott is an internationally known artist and the Leo Steppat Professor of Art Emeritus, University of Wisconsin-Madison. Arthur Hove, special assistant emeritus at the University of Wisconsin-Madison, served in a number of capacities during a long association with the University. He was assistant to the chancellor and director of public information from 1970 to 1989. From 1989 until his retirement in 1996 he was special assistant to the provost. In addition to his administrative responsibilities, he also taught courses in the School of Business, the School of Journalism and Mass Communication, and the Department of Art. He holds the Distinguished Alumnus Award presented by the Wisconsin Alumni Association and is the author of The University of Wisconsin: A Pictorial History also published by the University of Wisconsin Press.