Prose Poetry in Theory and Practice
Herausgeber: Caldwell, Anne; Hardwick, Oz
Prose Poetry in Theory and Practice
Herausgeber: Caldwell, Anne; Hardwick, Oz
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Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity.
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Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 236
- Erscheinungstermin: 31. Mai 2022
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 508g
- ISBN-13: 9781032058610
- ISBN-10: 1032058617
- Artikelnr.: 63086776
- Verlag: Taylor & Francis
- Seitenzahl: 236
- Erscheinungstermin: 31. Mai 2022
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 508g
- ISBN-13: 9781032058610
- ISBN-10: 1032058617
- Artikelnr.: 63086776
Anne Caldwell is a freelance writer and a lecturer in creative writing for the Open University and has completed a PhD in prose poetry and creative writing at the University of Bolton in 2020. She is a member of the International Poetry Studies Institute (I.P.S.I.) International Prose Poetry Project and the author of four collections of poetry. Oz Hardwick is a European poet and academic, whose work has been widely published in international journals and anthologies. He has published nine full collections and chapbooks, including Learning to Have Lost (2018) which won the 2019 Rubery International Book Award for poetry. Oz is Professor of Creative Writing at Leeds Trinity University.
Introduction
Anne Caldwell and Oz Hardwick
1 Protean Manifestations and Diverse Shapes: Defining and Understanding
Strategies of the Contemporary Prose Poem
Cassandra Atherton and Paul Hetherington
2 Prose Poetry and the Resistance to Narrative
Oz Hardwick
3 "In the Eye of the Beholder": Prose Poetry in Dialogue between Reader and
Poet
Hannah Stone
4 Nobody's Storybook: Reading Russell Edson for the Wrong Reasons
Nicholas Lauridsen
5 "Borders on edges, where skin stops, or begins": The Prose Poem's
Relationship with the Discourses of Fashion and Food, with Particular
Reference to Charles Baudelaire, Gertrude Stein, and Harryette Mullen
Susie Campbell
6 The Contemporary Vernacular: Exploring Intersections of Architecture and
Prose Poetry
Anne Caldwell
7 "Image Machine": Gaspar Orozco's Book of the Peony and the Prose Poem
Sequence as Perceptual Trick
Helen Tookey
8 Writing the Prose Poem: An Insider's Perspective on an Outsider Artform
Ian Seed
9 "A form of howling. A form of chanting. A form of looking out for each
other": Poetics and Politics of the Contemporary Indian-English Prose Poem
Divya Nadkarni
10 Collaboration, Conversation, and Adaptation: The Prose Poetry Project
and Renga Attitude
Jen Webb
11 Framing Catastrophe: The Ekphrastic Prose Poem
Patrick Wright
12 "An interlude suspended": Historical Biography through the Lens of Prose
Poetry
Edwin Stockdale
13 Who are the Contemporary Symbolists? The Prose Poem and the
Decorative-Subjective Approach
Ruth Stacey
14 One Foot; Many Places: The Prose Poem's Art of Standing Still While
Travelling
Jane Monson
Anne Caldwell and Oz Hardwick
1 Protean Manifestations and Diverse Shapes: Defining and Understanding
Strategies of the Contemporary Prose Poem
Cassandra Atherton and Paul Hetherington
2 Prose Poetry and the Resistance to Narrative
Oz Hardwick
3 "In the Eye of the Beholder": Prose Poetry in Dialogue between Reader and
Poet
Hannah Stone
4 Nobody's Storybook: Reading Russell Edson for the Wrong Reasons
Nicholas Lauridsen
5 "Borders on edges, where skin stops, or begins": The Prose Poem's
Relationship with the Discourses of Fashion and Food, with Particular
Reference to Charles Baudelaire, Gertrude Stein, and Harryette Mullen
Susie Campbell
6 The Contemporary Vernacular: Exploring Intersections of Architecture and
Prose Poetry
Anne Caldwell
7 "Image Machine": Gaspar Orozco's Book of the Peony and the Prose Poem
Sequence as Perceptual Trick
Helen Tookey
8 Writing the Prose Poem: An Insider's Perspective on an Outsider Artform
Ian Seed
9 "A form of howling. A form of chanting. A form of looking out for each
other": Poetics and Politics of the Contemporary Indian-English Prose Poem
Divya Nadkarni
10 Collaboration, Conversation, and Adaptation: The Prose Poetry Project
and Renga Attitude
Jen Webb
11 Framing Catastrophe: The Ekphrastic Prose Poem
Patrick Wright
12 "An interlude suspended": Historical Biography through the Lens of Prose
Poetry
Edwin Stockdale
13 Who are the Contemporary Symbolists? The Prose Poem and the
Decorative-Subjective Approach
Ruth Stacey
14 One Foot; Many Places: The Prose Poem's Art of Standing Still While
Travelling
Jane Monson
Introduction
Anne Caldwell and Oz Hardwick
1 Protean Manifestations and Diverse Shapes: Defining and Understanding
Strategies of the Contemporary Prose Poem
Cassandra Atherton and Paul Hetherington
2 Prose Poetry and the Resistance to Narrative
Oz Hardwick
3 "In the Eye of the Beholder": Prose Poetry in Dialogue between Reader and
Poet
Hannah Stone
4 Nobody's Storybook: Reading Russell Edson for the Wrong Reasons
Nicholas Lauridsen
5 "Borders on edges, where skin stops, or begins": The Prose Poem's
Relationship with the Discourses of Fashion and Food, with Particular
Reference to Charles Baudelaire, Gertrude Stein, and Harryette Mullen
Susie Campbell
6 The Contemporary Vernacular: Exploring Intersections of Architecture and
Prose Poetry
Anne Caldwell
7 "Image Machine": Gaspar Orozco's Book of the Peony and the Prose Poem
Sequence as Perceptual Trick
Helen Tookey
8 Writing the Prose Poem: An Insider's Perspective on an Outsider Artform
Ian Seed
9 "A form of howling. A form of chanting. A form of looking out for each
other": Poetics and Politics of the Contemporary Indian-English Prose Poem
Divya Nadkarni
10 Collaboration, Conversation, and Adaptation: The Prose Poetry Project
and Renga Attitude
Jen Webb
11 Framing Catastrophe: The Ekphrastic Prose Poem
Patrick Wright
12 "An interlude suspended": Historical Biography through the Lens of Prose
Poetry
Edwin Stockdale
13 Who are the Contemporary Symbolists? The Prose Poem and the
Decorative-Subjective Approach
Ruth Stacey
14 One Foot; Many Places: The Prose Poem's Art of Standing Still While
Travelling
Jane Monson
Anne Caldwell and Oz Hardwick
1 Protean Manifestations and Diverse Shapes: Defining and Understanding
Strategies of the Contemporary Prose Poem
Cassandra Atherton and Paul Hetherington
2 Prose Poetry and the Resistance to Narrative
Oz Hardwick
3 "In the Eye of the Beholder": Prose Poetry in Dialogue between Reader and
Poet
Hannah Stone
4 Nobody's Storybook: Reading Russell Edson for the Wrong Reasons
Nicholas Lauridsen
5 "Borders on edges, where skin stops, or begins": The Prose Poem's
Relationship with the Discourses of Fashion and Food, with Particular
Reference to Charles Baudelaire, Gertrude Stein, and Harryette Mullen
Susie Campbell
6 The Contemporary Vernacular: Exploring Intersections of Architecture and
Prose Poetry
Anne Caldwell
7 "Image Machine": Gaspar Orozco's Book of the Peony and the Prose Poem
Sequence as Perceptual Trick
Helen Tookey
8 Writing the Prose Poem: An Insider's Perspective on an Outsider Artform
Ian Seed
9 "A form of howling. A form of chanting. A form of looking out for each
other": Poetics and Politics of the Contemporary Indian-English Prose Poem
Divya Nadkarni
10 Collaboration, Conversation, and Adaptation: The Prose Poetry Project
and Renga Attitude
Jen Webb
11 Framing Catastrophe: The Ekphrastic Prose Poem
Patrick Wright
12 "An interlude suspended": Historical Biography through the Lens of Prose
Poetry
Edwin Stockdale
13 Who are the Contemporary Symbolists? The Prose Poem and the
Decorative-Subjective Approach
Ruth Stacey
14 One Foot; Many Places: The Prose Poem's Art of Standing Still While
Travelling
Jane Monson