Explores the intertwined histories of print and protest in the United States from Reconstruction to the 2000s. Ten essays look at how protestors of all political and religious persuasions, as well as aesthetic and ethical temperaments, have used the printed page to wage battles over free speech; test racial, class, sexual, and even culinary boundaries; and to alter the moral landscape in American life.
Explores the intertwined histories of print and protest in the United States from Reconstruction to the 2000s. Ten essays look at how protestors of all political and religious persuasions, as well as aesthetic and ethical temperaments, have used the printed page to wage battles over free speech; test racial, class, sexual, and even culinary boundaries; and to alter the moral landscape in American life.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James L. Baughman is the Fetzer Bascom Professor of Journalism and Mass Communication at the University of Wisconsin-Madison. His many publications include Republic of Mass Culture: Journalism, Filmmaking and Broadcasting in America since 1941 (Third Edition). Jennifer Ratner-Rosenhagen is the Merle Curti Associate Professor of History at the University of Wisconsin-Madison and the author of American Nietzsche: A History of an Icon and His Ideas. James P. Danky is the cofounder of the Center for the History of Print and Digital Culture at the University of Wisconsin-Madison and retired librarian for periodicals and newspapers at the Wisconsin Historical Society. He is many books include Underground Classics: The Transformation of Comics into Comix.
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