The German protest song from the 1960s through the 1990s and how it carried forth traditions of earlier periods.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction David G. Robb The Reception of Vormärz and 1848 Revolutionary Song in West Germany and the GDR David G. Robb Mühsam, Brecht, Eisler, and the Twentieth Century Revolutionary Heritage David G. Robb Narrative Role Play as Communication Strategy in German Protest Song David G. Robb The Burg Waldeck Festivals, 1964 1969 Eckhard Holler The Folk and Liedermacher Scene in the Federal Republic in the 1970s and 1980s Eckhard Holler Konstantin Wecker: Political Songs between Anarchy and Humanity Annette Bluhdorn Wolf Biermann: Die Heimat ist weit Peter Thompson Political Song in the GDR: The Cat and Mouse Game with Censorship and Institutions David G. Robb The Demise of Political Song and the New Discourse of Techno in the Berlin Republic David G. Robb Works Cited Index
Introduction David G. Robb The Reception of Vormärz and 1848 Revolutionary Song in West Germany and the GDR David G. Robb Mühsam, Brecht, Eisler, and the Twentieth Century Revolutionary Heritage David G. Robb Narrative Role Play as Communication Strategy in German Protest Song David G. Robb The Burg Waldeck Festivals, 1964 1969 Eckhard Holler The Folk and Liedermacher Scene in the Federal Republic in the 1970s and 1980s Eckhard Holler Konstantin Wecker: Political Songs between Anarchy and Humanity Annette Bluhdorn Wolf Biermann: Die Heimat ist weit Peter Thompson Political Song in the GDR: The Cat and Mouse Game with Censorship and Institutions David G. Robb The Demise of Political Song and the New Discourse of Techno in the Berlin Republic David G. Robb Works Cited Index
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