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Since the 1980s, feminist and queer art has been branded by the Christian Right as sacrilegious or pornographic-sometimes both. But how and why did visual art take center stage in these culture war battles? Provoking Religion provides a new interpretation of the history of the culture wars, one that avoids simply pitting religious conservatives against secular progressives. Anthony Petro explains how the literalist rhetoric of conservative Christians reduced art to obscenity and why so many feminist and queer artists-including Judy Chicago, David Wojnarowicz, and Renee Cox--were drawn to…mehr

Produktbeschreibung
Since the 1980s, feminist and queer art has been branded by the Christian Right as sacrilegious or pornographic-sometimes both. But how and why did visual art take center stage in these culture war battles? Provoking Religion provides a new interpretation of the history of the culture wars, one that avoids simply pitting religious conservatives against secular progressives. Anthony Petro explains how the literalist rhetoric of conservative Christians reduced art to obscenity and why so many feminist and queer artists-including Judy Chicago, David Wojnarowicz, and Renee Cox--were drawn to religious imagery in their creative work, often casting their own religious and theological visions.
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Autorenporträt
Anthony M. Petro is Associate Professor of Religion and of Women's, Gender, and Sexuality Studies at Boston University. His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ.