Psychoanalysis and Cinema
Herausgeber: Kaplan, E Ann
Psychoanalysis and Cinema
Herausgeber: Kaplan, E Ann
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First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 264
- Erscheinungstermin: 1. September 2016
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 522g
- ISBN-13: 9781138149748
- ISBN-10: 1138149748
- Artikelnr.: 71794177
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 264
- Erscheinungstermin: 1. September 2016
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 522g
- ISBN-13: 9781138149748
- ISBN-10: 1138149748
- Artikelnr.: 71794177
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Kaplan, E. Ann
Introduction: From Plato's Cave to Freud's Screen
E. Ann Kaplan; Chapter 1 Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by Duel in the Sun
Laura Mulvey; Chapter 2 A Denial of Difference: Theories of Cinematic Identification
Anne Friedberg; Chapter 3 Remembering Women: Psychical and Historical Constructions in Film Theory
Mary Ann Doane; Chapter 4 Femininity and the Masquerade: Anne of the Indies
Claire Johnston; Chapter 5 Cinematic Abreaction: Tourneur's Cat People
Deborah Linderman; Chapter 6 Believing in the Cinema
Raymond Bellour
Dana Polan; Chapter 7 Historical Trauma and Male Subjectivity
Kaja Silverman; Chapter 8 Motherhood and Representation: From Postwar Freudian Figurations to Postmodernism
E. Ann Kaplan; Chapter 9 Couching Resistance: Women
Film
and Postwar Psychoanalytic Psychiatry
Janet Walker; Chapter 10 Psychological Explanation in the Films of Lang and Pabst
Janet Bergstrom; Chapter 11 Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata
Linda Peckham; Chapter 12 Some Ruminations around the Cinematic Antidotes to the Oedipal Net(les) while Playing with De Lauraedipus Mulvey
or
He May Be Off Screen
but ...
Yvonne Rainer; Chapter 13 Dialogue: Remembering (this memory of) a film
Raymond Bellour
Guy Rosolato
Thomas Y. Levin;
E. Ann Kaplan; Chapter 1 Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by Duel in the Sun
Laura Mulvey; Chapter 2 A Denial of Difference: Theories of Cinematic Identification
Anne Friedberg; Chapter 3 Remembering Women: Psychical and Historical Constructions in Film Theory
Mary Ann Doane; Chapter 4 Femininity and the Masquerade: Anne of the Indies
Claire Johnston; Chapter 5 Cinematic Abreaction: Tourneur's Cat People
Deborah Linderman; Chapter 6 Believing in the Cinema
Raymond Bellour
Dana Polan; Chapter 7 Historical Trauma and Male Subjectivity
Kaja Silverman; Chapter 8 Motherhood and Representation: From Postwar Freudian Figurations to Postmodernism
E. Ann Kaplan; Chapter 9 Couching Resistance: Women
Film
and Postwar Psychoanalytic Psychiatry
Janet Walker; Chapter 10 Psychological Explanation in the Films of Lang and Pabst
Janet Bergstrom; Chapter 11 Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata
Linda Peckham; Chapter 12 Some Ruminations around the Cinematic Antidotes to the Oedipal Net(les) while Playing with De Lauraedipus Mulvey
or
He May Be Off Screen
but ...
Yvonne Rainer; Chapter 13 Dialogue: Remembering (this memory of) a film
Raymond Bellour
Guy Rosolato
Thomas Y. Levin;
Introduction: From Plato's Cave to Freud's Screen
E. Ann Kaplan; Chapter 1 Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by Duel in the Sun
Laura Mulvey; Chapter 2 A Denial of Difference: Theories of Cinematic Identification
Anne Friedberg; Chapter 3 Remembering Women: Psychical and Historical Constructions in Film Theory
Mary Ann Doane; Chapter 4 Femininity and the Masquerade: Anne of the Indies
Claire Johnston; Chapter 5 Cinematic Abreaction: Tourneur's Cat People
Deborah Linderman; Chapter 6 Believing in the Cinema
Raymond Bellour
Dana Polan; Chapter 7 Historical Trauma and Male Subjectivity
Kaja Silverman; Chapter 8 Motherhood and Representation: From Postwar Freudian Figurations to Postmodernism
E. Ann Kaplan; Chapter 9 Couching Resistance: Women
Film
and Postwar Psychoanalytic Psychiatry
Janet Walker; Chapter 10 Psychological Explanation in the Films of Lang and Pabst
Janet Bergstrom; Chapter 11 Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata
Linda Peckham; Chapter 12 Some Ruminations around the Cinematic Antidotes to the Oedipal Net(les) while Playing with De Lauraedipus Mulvey
or
He May Be Off Screen
but ...
Yvonne Rainer; Chapter 13 Dialogue: Remembering (this memory of) a film
Raymond Bellour
Guy Rosolato
Thomas Y. Levin;
E. Ann Kaplan; Chapter 1 Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by Duel in the Sun
Laura Mulvey; Chapter 2 A Denial of Difference: Theories of Cinematic Identification
Anne Friedberg; Chapter 3 Remembering Women: Psychical and Historical Constructions in Film Theory
Mary Ann Doane; Chapter 4 Femininity and the Masquerade: Anne of the Indies
Claire Johnston; Chapter 5 Cinematic Abreaction: Tourneur's Cat People
Deborah Linderman; Chapter 6 Believing in the Cinema
Raymond Bellour
Dana Polan; Chapter 7 Historical Trauma and Male Subjectivity
Kaja Silverman; Chapter 8 Motherhood and Representation: From Postwar Freudian Figurations to Postmodernism
E. Ann Kaplan; Chapter 9 Couching Resistance: Women
Film
and Postwar Psychoanalytic Psychiatry
Janet Walker; Chapter 10 Psychological Explanation in the Films of Lang and Pabst
Janet Bergstrom; Chapter 11 Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata
Linda Peckham; Chapter 12 Some Ruminations around the Cinematic Antidotes to the Oedipal Net(les) while Playing with De Lauraedipus Mulvey
or
He May Be Off Screen
but ...
Yvonne Rainer; Chapter 13 Dialogue: Remembering (this memory of) a film
Raymond Bellour
Guy Rosolato
Thomas Y. Levin;