First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: From Plato's Cave to Freud's Screen E. Ann Kaplan; Chapter 1 Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by Duel in the Sun Laura Mulvey; Chapter 2 A Denial of Difference: Theories of Cinematic Identification Anne Friedberg; Chapter 3 Remembering Women: Psychical and Historical Constructions in Film Theory Mary Ann Doane; Chapter 4 Femininity and the Masquerade: Anne of the Indies Claire Johnston; Chapter 5 Cinematic Abreaction: Tourneur's Cat People Deborah Linderman; Chapter 6 Believing in the Cinema Raymond Bellour Dana Polan; Chapter 7 Historical Trauma and Male Subjectivity Kaja Silverman; Chapter 8 Motherhood and Representation: From Postwar Freudian Figurations to Postmodernism E. Ann Kaplan; Chapter 9 Couching Resistance: Women Film and Postwar Psychoanalytic Psychiatry Janet Walker; Chapter 10 Psychological Explanation in the Films of Lang and Pabst Janet Bergstrom; Chapter 11 Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata Linda Peckham; Chapter 12 Some Ruminations around the Cinematic Antidotes to the Oedipal Net(les) while Playing with De Lauraedipus Mulvey or He May Be Off Screen but ... Yvonne Rainer; Chapter 13 Dialogue: Remembering (this memory of) a film Raymond Bellour Guy Rosolato Thomas Y. Levin;
Introduction: From Plato's Cave to Freud's Screen E. Ann Kaplan; Chapter 1 Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by Duel in the Sun Laura Mulvey; Chapter 2 A Denial of Difference: Theories of Cinematic Identification Anne Friedberg; Chapter 3 Remembering Women: Psychical and Historical Constructions in Film Theory Mary Ann Doane; Chapter 4 Femininity and the Masquerade: Anne of the Indies Claire Johnston; Chapter 5 Cinematic Abreaction: Tourneur's Cat People Deborah Linderman; Chapter 6 Believing in the Cinema Raymond Bellour Dana Polan; Chapter 7 Historical Trauma and Male Subjectivity Kaja Silverman; Chapter 8 Motherhood and Representation: From Postwar Freudian Figurations to Postmodernism E. Ann Kaplan; Chapter 9 Couching Resistance: Women Film and Postwar Psychoanalytic Psychiatry Janet Walker; Chapter 10 Psychological Explanation in the Films of Lang and Pabst Janet Bergstrom; Chapter 11 Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata Linda Peckham; Chapter 12 Some Ruminations around the Cinematic Antidotes to the Oedipal Net(les) while Playing with De Lauraedipus Mulvey or He May Be Off Screen but ... Yvonne Rainer; Chapter 13 Dialogue: Remembering (this memory of) a film Raymond Bellour Guy Rosolato Thomas Y. Levin;
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