Psychoanalytic Perspectives on the Films of Ingmar Bergman

From Freud to Lacan and Beyond
Herausgeber: Sinclair, Vanessa

• Gebundenes Buch

Produktbeschreibung

Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman's work.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 200
• Erscheinungstermin: 1. Dezember 2022
• Englisch
• Abmessung: 234mm x 156mm x 14mm
• Gewicht: 485g
• ISBN-13: 9781032060064
• ISBN-10: 1032060069
• Artikelnr.: 65613280

Autorenporträt

Vanessa Sinclair, PsyD is a psychoanalyst based in Vimmerby, Sweden. Dr. Sinclair is Senior Research Fellow at Global Centre for Advanced Studies (GCAS) - Dublin, founding member of Das Unbehagen: A Free Association for Psychoanalysis - New York, and the host of Rendering Unconscious Podcast.

Inhaltsangabe

Dedication
Notes on Contributors
Foreword: Cinema: The Pervert's Chamber
Mary Wild
Introduction
Vanessa Sinclair
Chapter 1: The People Eaters are Having a Great Feast: Some Reflections on
Ingmar Bergman's Hour of the Wolf
Carl Abrahamsson
Chapter 2: The Cinematic Optical Unconscious of Bergman's Persona
Wayne Wapeemukwa
Chapter 3: Fanny and Alexander, Hamlet, and the Ethical Unconscious
Robert Samuels
Chapter 4: Island Earth: Bergman, Brahe, and the Many Suns
Patrick Scanlon
Chapter 5: The Truth about The Silence: Ingmar Bergman's Masterpiece about
the World
Peter Jansson
Chapter 6: Three Sisters: Sibling Knots in Bergman's Cries and Whispers
Andrea Sabbadini
Chapter 7: The Seventh Seal: Bergman and the Frenchmen
S. Alfonso Williams
Chapter 8: Serpentine Conceptual Autophagia: Lesbian Contrapuntal
Dialectics in Persona and The Silence
Alireza Taheri
Chapter 9: The Father(s) in Moses and Monotheism and Fanny and Alexander: A
Closer Look at Isak Jacobi, the Jewish Magical Savior
Elisabeth Punzi
Chapter 10: Prolegomena to Persona: As Existential Psychoanalysis
Walter A. Davis
Chapter 11: Beyond Silence: On the Absence of God in the Films of Ingmar
Bergman
Pablo Lerner