Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergmanâ s work.
Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergmanâ s work.
Vanessa Sinclair, PsyD is a psychoanalyst based in Vimmerby, Sweden. Dr. Sinclair is Senior Research Fellow at Global Centre for Advanced Studies (GCAS) - Dublin, founding member of Das Unbehagen: A Free Association for Psychoanalysis - New York, and the host of Rendering Unconscious Podcast.
Inhaltsangabe
Dedication Notes on Contributors Foreword: Cinema: The Pervert's Chamber Mary Wild Introduction Vanessa Sinclair Chapter 1: The People Eaters are Having a Great Feast: Some Reflections on Ingmar Bergman's Hour of the Wolf Carl Abrahamsson Chapter 2: The Cinematic Optical Unconscious of Bergman's Persona Wayne Wapeemukwa Chapter 3: Fanny and Alexander, Hamlet, and the Ethical Unconscious Robert Samuels Chapter 4: Island Earth: Bergman, Brahe, and the Many Suns Patrick Scanlon Chapter 5: The Truth about The Silence: Ingmar Bergman's Masterpiece about the World Peter Jansson Chapter 6: Three Sisters: Sibling Knots in Bergman's Cries and Whispers Andrea Sabbadini Chapter 7: The Seventh Seal: Bergman and the Frenchmen S. Alfonso Williams Chapter 8: Serpentine Conceptual Autophagia: Lesbian Contrapuntal Dialectics in Persona and The Silence Alireza Taheri Chapter 9: The Father(s) in Moses and Monotheism and Fanny and Alexander: A Closer Look at Isak Jacobi, the Jewish Magical Savior Elisabeth Punzi Chapter 10: Prolegomena to Persona: As Existential Psychoanalysis Walter A. Davis Chapter 11: Beyond Silence: On the Absence of God in the Films of Ingmar Bergman Pablo Lerner
Dedication Notes on Contributors Foreword: Cinema: The Pervert's Chamber Mary Wild Introduction Vanessa Sinclair Chapter 1: The People Eaters are Having a Great Feast: Some Reflections on Ingmar Bergman's Hour of the Wolf Carl Abrahamsson Chapter 2: The Cinematic Optical Unconscious of Bergman's Persona Wayne Wapeemukwa Chapter 3: Fanny and Alexander, Hamlet, and the Ethical Unconscious Robert Samuels Chapter 4: Island Earth: Bergman, Brahe, and the Many Suns Patrick Scanlon Chapter 5: The Truth about The Silence: Ingmar Bergman's Masterpiece about the World Peter Jansson Chapter 6: Three Sisters: Sibling Knots in Bergman's Cries and Whispers Andrea Sabbadini Chapter 7: The Seventh Seal: Bergman and the Frenchmen S. Alfonso Williams Chapter 8: Serpentine Conceptual Autophagia: Lesbian Contrapuntal Dialectics in Persona and The Silence Alireza Taheri Chapter 9: The Father(s) in Moses and Monotheism and Fanny and Alexander: A Closer Look at Isak Jacobi, the Jewish Magical Savior Elisabeth Punzi Chapter 10: Prolegomena to Persona: As Existential Psychoanalysis Walter A. Davis Chapter 11: Beyond Silence: On the Absence of God in the Films of Ingmar Bergman Pablo Lerner
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