Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society.
Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society.
Produktdetails
Produktdetails
Columbia Themes in Philosophy, Social Criticism, and the Arts
Preface and Acknowledgments 1. Democracy's Fragility and the Political Aesthetics of Public Art 2. Voices and Places: The Space of Public Art and Wodiczko's The Homeless Projection 3. Democracy's "Empty Place": Rawls's Political Liberalism and Derrida's Democracy to Come 4. Public Art's "Plain Tablet": The Political Aesthetics of Contemporary Art 5. Democracy and Public Art: Badiou and Rancière 6. The Political Aesthetics of Chicago's Millennium Park 7. The Political Aesthetics of New York's National 9/11 Memorial 8. Public Art as an Act of Citizenship Appendix: Badiou On "Being and the Void" Notes Bibliography Index
Preface and Acknowledgments 1. Democracy's Fragility and the Political Aesthetics of Public Art 2. Voices and Places: The Space of Public Art and Wodiczko's The Homeless Projection 3. Democracy's "Empty Place": Rawls's Political Liberalism and Derrida's Democracy to Come 4. Public Art's "Plain Tablet": The Political Aesthetics of Contemporary Art 5. Democracy and Public Art: Badiou and Rancière 6. The Political Aesthetics of Chicago's Millennium Park 7. The Political Aesthetics of New York's National 9/11 Memorial 8. Public Art as an Act of Citizenship Appendix: Badiou On "Being and the Void" Notes Bibliography Index
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