This lively collection is a mix of academic and practice-based writing that scrutinises conventional claims on the inclusiveness of public art practice. It advances critical insights of how socially practiced public arts articulate and cultivate geographies of social difference, through the themes of power, affect and diversity.
This lively collection is a mix of academic and practice-based writing that scrutinises conventional claims on the inclusiveness of public art practice. It advances critical insights of how socially practiced public arts articulate and cultivate geographies of social difference, through the themes of power, affect and diversity.
Martin Zebracki is Lecturer in Critical Human Geography at the University of Leeds, UK. He has written and talked widely at the crossroads of public art, social engagement and (sexual) citizenship. Zebracki is the co-editor of The Everyday Practice of Public Art: Art, Space, and Social Inclusion (with Cameron Cartiere). Joni M. Palmer is an Adjunct Associate Professor in the Department of Geography and Environmental Studies and the Community and Regional Planning Program at the University of New Mexico, USA. Her professional life has covered a blend of practice and academia across arts and cultural planning over the past 25 years.
Inhaltsangabe
INTRODUCTION 1. On Encountering Public Art Martin Zebracki and Joni M. Palmer PART 1: POWER 2. Subverting Surveillance: Power and Incivility in Public Transit Art Martha Radice and Brenden Harvey 3. 'Awaken the Dragon': Participatory Art-making and the Grassroots in Authoritarian Singapore Jason Luger 4. The Construction of Post-Communist Ideologies and Re-branding of Budapest: The Case Study of Statue Park Museum Paul Clements 5. Sustainable Influences of Public Art: A View on Cultural Capital and Environmental Impact Cameron Cartiere and Ashley Guindon PART 2: AFFECT 6. Shaping Subjects, Connecting Communities, Imagining Futures? Critically Investigating Play Your Place Harriet Hawkins and Ruth Catlow 7. The Production of Temporary Public Space: Site-specific Installation and 'Vital Materialities' Gwen MacGregor 8. 'All Your Drains Belong to Us': Young People and the Non-Representational Geographies of Public Art in Drain Tunnels Candice Boyd PART 3: DIVERSITY 9. Mobilising the 'Right to Remain' in Vancouver's Paueru-gai: An Art-based Participatory Research Intervention Aaron Franks, Jeff Masuda, Audrey Kobayashi and the Right to Remain Community Fair Team 10. The Art of (Re)crossing the Border: The Border Farm Project in Maroi, South Africa Pauline Guinard 11. The Birmingham Surrealist Laboratory: Unlocking Community and the Avant-Garde in a Super-Diverse City Saskia Warren and Stephen Forcer 12. A Cybergeography of Public Art Encounter: The Case of Rubber Duck Martin Zebracki Afterword 13. An Artist-Geographer's Lens Andrew Gorman-Murray
INTRODUCTION 1. On Encountering Public Art Martin Zebracki and Joni M. Palmer PART 1: POWER 2. Subverting Surveillance: Power and Incivility in Public Transit Art Martha Radice and Brenden Harvey 3. 'Awaken the Dragon': Participatory Art-making and the Grassroots in Authoritarian Singapore Jason Luger 4. The Construction of Post-Communist Ideologies and Re-branding of Budapest: The Case Study of Statue Park Museum Paul Clements 5. Sustainable Influences of Public Art: A View on Cultural Capital and Environmental Impact Cameron Cartiere and Ashley Guindon PART 2: AFFECT 6. Shaping Subjects, Connecting Communities, Imagining Futures? Critically Investigating Play Your Place Harriet Hawkins and Ruth Catlow 7. The Production of Temporary Public Space: Site-specific Installation and 'Vital Materialities' Gwen MacGregor 8. 'All Your Drains Belong to Us': Young People and the Non-Representational Geographies of Public Art in Drain Tunnels Candice Boyd PART 3: DIVERSITY 9. Mobilising the 'Right to Remain' in Vancouver's Paueru-gai: An Art-based Participatory Research Intervention Aaron Franks, Jeff Masuda, Audrey Kobayashi and the Right to Remain Community Fair Team 10. The Art of (Re)crossing the Border: The Border Farm Project in Maroi, South Africa Pauline Guinard 11. The Birmingham Surrealist Laboratory: Unlocking Community and the Avant-Garde in a Super-Diverse City Saskia Warren and Stephen Forcer 12. A Cybergeography of Public Art Encounter: The Case of Rubber Duck Martin Zebracki Afterword 13. An Artist-Geographer's Lens Andrew Gorman-Murray
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