Public Displays of Affection - Leftwich, Jim
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This unique book, written while the author and his wife have been moving around the Western USA, is full of references to place names, and flora and fauna of California, which reminds one of Californian writing of the 1960s, when poets, beats, and hippies were hanging out in places like Big Sur, Bolinas, Venice, and San Francisco. That resonance brings a level of lyricism to Leftwich's work. But his writing is very different from those halcyon days, though there is a similarity in the attention paid to common moments and things, a Zen-like attitude. But here, words are often juxtaposed with…mehr

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Produktbeschreibung
This unique book, written while the author and his wife have been moving around the Western USA, is full of references to place names, and flora and fauna of California, which reminds one of Californian writing of the 1960s, when poets, beats, and hippies were hanging out in places like Big Sur, Bolinas, Venice, and San Francisco. That resonance brings a level of lyricism to Leftwich's work. But his writing is very different from those halcyon days, though there is a similarity in the attention paid to common moments and things, a Zen-like attitude. But here, words are often juxtaposed with little apparent semantic relationship, making for phrases and lines that create multiple possibilities of meaning and resonance. In Part One of this book especially, each of Leftwich's "stanzas" are separate poems/ worlds/ perceptions/ and each rewards attention. They are not "thought", but mirrors of attention, blank minds open - not like the Californian 1960s at all, where such things were talked about but not manifested so much. Leftwich manifests that kind of mind, as in a classical Japanese Haiku sequence. It requires a kind of open and shifting attention of the reader, an attention that does not include any kind of searching for facile instructions about how to live. It is, rather, documentation of an acceptance and exploration of the relationship between mind and world. - John M. Bennett this week the role of shoes images of hats and nostrils insomuch as the map pages are unreadable illegible desemantized & repetitive
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Autorenporträt
Jim Leftwich (b. 1956-) is the author of BURSTING PRESENTS (Luna Bisonte Prods, 2020), BE/OND SEH FLINGES (with Steve Dalachinsky, Luna Bisonte Prods, 2020), CONTAINERS PROJECTING MULTITUDES: EXPOSITIONS ON THE POETRY OF JOHN M. BENNETT (Luna Bisonte Prods, 2019), I REMEMBER PETROLEUM (Luna Bisonte Prods, 2019), and others. An innovative and dynamic poet from Charlottesville, Virginia, Jim Leftwich founded and edited the influential avant-garde literary journals Juxta and Juxta Electronic, with co-editor Ken Harris, in 1994. During the 1990's, he was intensely active as a correspondent, theorist, and critical writer in the area of avant-garde poetry and writing, and was an influential figure in the development of ideas and consciousness for the new literary culture he was involved with. He was also influential in the promotion and distribution of the work of many of his fellow poets and writers. He himself has produced a significant body of literary work, work which is textual, conceptual and/or visual. Among his earlier books and chapbooks are Dirt (1995), Khawatir (1995), Gnommonclature, a collaboration with Jeffrey Little (1996), Plasm, Plasm, Plasm (1997), Sepher Viscera, a collaboration with Jake Berry (1997), The Passion of Indifference (1997), Improvisations, Transformations (1998), Sample Example (1998), and Doubt (2000). Several more recent books of his have been published by Luna Bisonte Prtods. His autobiography was published in 1996 in vol. 25 of Contemporary Authors Autobiography Series. Author City: ROANOKE, VA USA