Public in Public History
Herausgeber: Wojdon, Joanna; Wi&
Public in Public History
Herausgeber: Wojdon, Joanna; Wi&
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Public in Public History presents international research on the role of the public in public history: the ways people perceive, respond to and influence history-related institutions, events, services and products that deal with the past.
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Public in Public History presents international research on the role of the public in public history: the ways people perceive, respond to and influence history-related institutions, events, services and products that deal with the past.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 282
- Erscheinungstermin: 30. Juli 2021
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 590g
- ISBN-13: 9780367641047
- ISBN-10: 0367641046
- Artikelnr.: 62227262
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 282
- Erscheinungstermin: 30. Juli 2021
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 590g
- ISBN-13: 9780367641047
- ISBN-10: 0367641046
- Artikelnr.: 62227262
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Joanna Wojdon is an associate professor at the Institute of History, University of Wroc¿aw, Poland. Dorota Wi¿niewska is a research assistant at the University of Wroc¿aw, Poland, and initiator of the International Public History Summer School in Wroc¿aw.
1. Publics, Public Historians and Participatory Public History PART I:
Publics in Public History Research 2. Digital Oral History and the Ethical
Dilemmas of Dealing with Three Kinds of 'Public' in Public History 3.
Public Between the State, and Academia: Cultural and Political Essentialism
of Public History in Russia PART II: Publics in Commemorations 4. The Role
of the Public in Shaping New Collective Memory(ies): The Irish Public and
Their Representation of History during and after the Irish Civil War of
1922- 1923 5. Return to 1918: The Serbian American Public and World War I
Memory at the Centenary 6. The Role of Distinct Publics in Framing and
Re-Framing the Images of Historical Figures. A Study on the Publics
Remembering Edith Stein 7. The Persistence of the Vanishing Indian in the
Massachusetts Merrimack Valley: The Passaconaway Monument PART III:
Museums and Their Publics 8. For the Public, by the Public, on the Public:
The Triple Role of the Public in School Museums of History in Russia 9.
Students as the Museums' Public 10. On Fire, under Fire: Public Reactions
to the Destruction of the Brazilian National Museum 11. Warsaw Rising
Museum-on, with and for a Participatory Public PART IV: Digital Publics 12.
Researching the Public(s) through Internet Readers' Comments. Case Study of
the Cursed Soldiers in North-Eastern Poland 13. Video-Gamers as Recipients
and Creators of Public History: Let's Play Videos as Public History 14. The
Users of TripAdvisor as the Public(s) of Public History. Case Study of the
Hiroshima Peace Memorial Museum 15. The Public of a Public History
Website-Notes from the Field 16. The public(s) in public history
Publics in Public History Research 2. Digital Oral History and the Ethical
Dilemmas of Dealing with Three Kinds of 'Public' in Public History 3.
Public Between the State, and Academia: Cultural and Political Essentialism
of Public History in Russia PART II: Publics in Commemorations 4. The Role
of the Public in Shaping New Collective Memory(ies): The Irish Public and
Their Representation of History during and after the Irish Civil War of
1922- 1923 5. Return to 1918: The Serbian American Public and World War I
Memory at the Centenary 6. The Role of Distinct Publics in Framing and
Re-Framing the Images of Historical Figures. A Study on the Publics
Remembering Edith Stein 7. The Persistence of the Vanishing Indian in the
Massachusetts Merrimack Valley: The Passaconaway Monument PART III:
Museums and Their Publics 8. For the Public, by the Public, on the Public:
The Triple Role of the Public in School Museums of History in Russia 9.
Students as the Museums' Public 10. On Fire, under Fire: Public Reactions
to the Destruction of the Brazilian National Museum 11. Warsaw Rising
Museum-on, with and for a Participatory Public PART IV: Digital Publics 12.
Researching the Public(s) through Internet Readers' Comments. Case Study of
the Cursed Soldiers in North-Eastern Poland 13. Video-Gamers as Recipients
and Creators of Public History: Let's Play Videos as Public History 14. The
Users of TripAdvisor as the Public(s) of Public History. Case Study of the
Hiroshima Peace Memorial Museum 15. The Public of a Public History
Website-Notes from the Field 16. The public(s) in public history
1. Publics, Public Historians and Participatory Public History PART I:
Publics in Public History Research 2. Digital Oral History and the Ethical
Dilemmas of Dealing with Three Kinds of 'Public' in Public History 3.
Public Between the State, and Academia: Cultural and Political Essentialism
of Public History in Russia PART II: Publics in Commemorations 4. The Role
of the Public in Shaping New Collective Memory(ies): The Irish Public and
Their Representation of History during and after the Irish Civil War of
1922- 1923 5. Return to 1918: The Serbian American Public and World War I
Memory at the Centenary 6. The Role of Distinct Publics in Framing and
Re-Framing the Images of Historical Figures. A Study on the Publics
Remembering Edith Stein 7. The Persistence of the Vanishing Indian in the
Massachusetts Merrimack Valley: The Passaconaway Monument PART III:
Museums and Their Publics 8. For the Public, by the Public, on the Public:
The Triple Role of the Public in School Museums of History in Russia 9.
Students as the Museums' Public 10. On Fire, under Fire: Public Reactions
to the Destruction of the Brazilian National Museum 11. Warsaw Rising
Museum-on, with and for a Participatory Public PART IV: Digital Publics 12.
Researching the Public(s) through Internet Readers' Comments. Case Study of
the Cursed Soldiers in North-Eastern Poland 13. Video-Gamers as Recipients
and Creators of Public History: Let's Play Videos as Public History 14. The
Users of TripAdvisor as the Public(s) of Public History. Case Study of the
Hiroshima Peace Memorial Museum 15. The Public of a Public History
Website-Notes from the Field 16. The public(s) in public history
Publics in Public History Research 2. Digital Oral History and the Ethical
Dilemmas of Dealing with Three Kinds of 'Public' in Public History 3.
Public Between the State, and Academia: Cultural and Political Essentialism
of Public History in Russia PART II: Publics in Commemorations 4. The Role
of the Public in Shaping New Collective Memory(ies): The Irish Public and
Their Representation of History during and after the Irish Civil War of
1922- 1923 5. Return to 1918: The Serbian American Public and World War I
Memory at the Centenary 6. The Role of Distinct Publics in Framing and
Re-Framing the Images of Historical Figures. A Study on the Publics
Remembering Edith Stein 7. The Persistence of the Vanishing Indian in the
Massachusetts Merrimack Valley: The Passaconaway Monument PART III:
Museums and Their Publics 8. For the Public, by the Public, on the Public:
The Triple Role of the Public in School Museums of History in Russia 9.
Students as the Museums' Public 10. On Fire, under Fire: Public Reactions
to the Destruction of the Brazilian National Museum 11. Warsaw Rising
Museum-on, with and for a Participatory Public PART IV: Digital Publics 12.
Researching the Public(s) through Internet Readers' Comments. Case Study of
the Cursed Soldiers in North-Eastern Poland 13. Video-Gamers as Recipients
and Creators of Public History: Let's Play Videos as Public History 14. The
Users of TripAdvisor as the Public(s) of Public History. Case Study of the
Hiroshima Peace Memorial Museum 15. The Public of a Public History
Website-Notes from the Field 16. The public(s) in public history