12,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

In his groundbreaking work Public Opinion (1922), Walter Lippmann, an eminent American writer and political commentator, delves into the intricate dynamics of democracy, shedding light on the pivotal role of citizens. He warns against the perils of propaganda, anticipating its sway on public perception. Lippmann challenges the efficacy of journalism in informing the populace, asserting that individuals tend to rely on preconceived notions rather than critical analysis. He calls the notion of a public competent to direct public affairs a "false ideal" and identifies the inherent biases in human…mehr

Produktbeschreibung
In his groundbreaking work Public Opinion (1922), Walter Lippmann, an eminent American writer and political commentator, delves into the intricate dynamics of democracy, shedding light on the pivotal role of citizens. He warns against the perils of propaganda, anticipating its sway on public perception. Lippmann challenges the efficacy of journalism in informing the populace, asserting that individuals tend to rely on preconceived notions rather than critical analysis. He calls the notion of a public competent to direct public affairs a "false ideal" and identifies the inherent biases in human cognition. Lippmann's insights into the importance of the dissemination of accurate information to a functioning democracy, the limitations of public engagement in governance, and the influence of media on shaping public opinion remain startlingly relevant in our time. Uncanny, prescient, and far-sighted, Public Opinion is an enduring cornerstone in political discourse and media studies. This Warbler Classics edition includes a detailed biographical timeline.
Autorenporträt
Walter Lippmann (1889-1974) was a widely read American writer, reporter, and political pundit, whose six-decade tenure reshaped intellectual discourse. Renowned for his seminal contributions, he was instrumental in delineating the contours of the Cold War, pioneering the terminology of "stereotype" and "manufactured consent," and offering incisive critiques of media and democracy. For his influential columns he was awarded two Pulitzer Prizes.