This book reconstructs and interprets the decorative appearance of one of the world's greatest cities at the dawn of its golden age. For scholarly and general audiences, it focuses on the needs and interests of common people as a way of thinking about art within the broader context of history.
This book reconstructs and interprets the decorative appearance of one of the world's greatest cities at the dawn of its golden age. For scholarly and general audiences, it focuses on the needs and interests of common people as a way of thinking about art within the broader context of history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
George R. Bent is the Sydney Gause Childress Professor of the Arts at Washington and Lee University, Virginia, where he has taught in the Department of Art and Art History since 1993. A Fulbright scholar, Bent has written about the art of Lorenzo Monaco, Florentine art of the Late Middle Ages and Early Renaissance, and manuscript production in the fourteenth century.
Inhaltsangabe
Introduction: public painting for common people in early republican Florence, 1282-1434; 1. Paintings in the streets: tabernacles, public devotion, and control; 2. Images of charity: confraternities, hospitals, and pictures for the destitute; 3. Art and the commune: politics, propaganda, and the bureaucratic state; 4. Pictures for merchants: the guilds, their paintings, and the struggle for power; 5. Public painting in sacred spaces: piers and pilasters in Florentine churches; 6. Murals for the masses: paintings on nave walls; 7. Masaccio's Trinity and the triumph of public painting for common people in early republican Florence.
Introduction: public painting for common people in early republican Florence, 1282-1434; 1. Paintings in the streets: tabernacles, public devotion, and control; 2. Images of charity: confraternities, hospitals, and pictures for the destitute; 3. Art and the commune: politics, propaganda, and the bureaucratic state; 4. Pictures for merchants: the guilds, their paintings, and the struggle for power; 5. Public painting in sacred spaces: piers and pilasters in Florentine churches; 6. Murals for the masses: paintings on nave walls; 7. Masaccio's Trinity and the triumph of public painting for common people in early republican Florence.
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