Highlights the transformative impact that book publishers had on the modernist movement Publishing houses are nearly invisible in modernist studies. Looking beyond little magazines and other periodicals, this collection highlights the importance of book publishers in the diffusion of modernism. It also participates in the transnational turn in modernist studies, demonstrating that book publishers created new markets for modernist texts in the United States, Europe and the rest of the world. Lise Jaillant is an AHRC (Arts and Humanities Research Council) Leader Fellow. She teaches in the School…mehr
Highlights the transformative impact that book publishers had on the modernist movement Publishing houses are nearly invisible in modernist studies. Looking beyond little magazines and other periodicals, this collection highlights the importance of book publishers in the diffusion of modernism. It also participates in the transnational turn in modernist studies, demonstrating that book publishers created new markets for modernist texts in the United States, Europe and the rest of the world. Lise Jaillant is an AHRC (Arts and Humanities Research Council) Leader Fellow. She teaches in the School of the Arts, English and Drama at Loughborough University, UK.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lise Jaillant is Senior Lecturer (Associate Professor) in the School of Social Sciences and Humanities at Loughborough University, UK. She specialises in twentieth-century literary institutions, with a special interest in publishers and creative writing programmes. Her first monograph was Modernism, Middlebrow and the Literary Canon: the Modern Library Series, 1917-1955 (Routledge, 2014). She then wrote Cheap Modernism: Expanding Markets, Publishers' Series and the Avant-Garde (EUP, 2017) and she edited Publishing Modernist Fiction and Poetry (EUP, 2019). Taken together, these three books offer a broad overview of Anglo-American publishers in the early-twentieth-century, and their influence on the diffusion of modern literature.
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Acknowledgements List of Abbreviations Introduction, Lise Jaillant Part 1: Pioneers 1. Modernism, Reform and the Traditional Business of Books: The B. W. Huebsch Imprint, Catherine Turner 2. Young Americans: Transatlantic Connections in the Early Years at Knopf, Amy Root Clements 3. 'Glad to be in the Fold': Boni & Liveright's Multifold Marketing of Modernism, Jennifer Sorensen 4. The Hogarth Press, Claire Battershill 5. Bringing the Modern to Market: The Case of Faber & Faber, John Xiros Cooper Part 2: Fine Books 6. Shakespeare and Company: Publisher, Joshua Kotin 7. Publishing the Avant-Garde: Nancy Cunard's Hours Press, Mercedes Aguirre 8. 'Flowers for the Living': Crosby Gaige and Modernist Limited Editions, Lise Jaillant Part 3: Publishing Modernism after the Second World War 9. New Directions Books, Greg Barnhisel 10. Grove Press and Samuel Beckett: A Necessary Alliance, Loren Glass 11. Calder and Boyars, Adam Guy 12. Cape Goliard, Matthew Sperling References Index.
Acknowledgements List of Abbreviations Introduction, Lise Jaillant Part 1: Pioneers 1. Modernism, Reform and the Traditional Business of Books: The B. W. Huebsch Imprint, Catherine Turner 2. Young Americans: Transatlantic Connections in the Early Years at Knopf, Amy Root Clements 3. 'Glad to be in the Fold': Boni & Liveright's Multifold Marketing of Modernism, Jennifer Sorensen 4. The Hogarth Press, Claire Battershill 5. Bringing the Modern to Market: The Case of Faber & Faber, John Xiros Cooper Part 2: Fine Books 6. Shakespeare and Company: Publisher, Joshua Kotin 7. Publishing the Avant-Garde: Nancy Cunard's Hours Press, Mercedes Aguirre 8. 'Flowers for the Living': Crosby Gaige and Modernist Limited Editions, Lise Jaillant Part 3: Publishing Modernism after the Second World War 9. New Directions Books, Greg Barnhisel 10. Grove Press and Samuel Beckett: A Necessary Alliance, Loren Glass 11. Calder and Boyars, Adam Guy 12. Cape Goliard, Matthew Sperling References Index.
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