This cultural history of La Bohà me traces its rise to global fame. It demonstrates how the opera's prominence in popular culture, the inventiveness of its directors and performers, and its enduring themes of gender, poverty, and nostalgia have captured audiences' imagination for more than 120 years.
This cultural history of La Bohà me traces its rise to global fame. It demonstrates how the opera's prominence in popular culture, the inventiveness of its directors and performers, and its enduring themes of gender, poverty, and nostalgia have captured audiences' imagination for more than 120 years.
Alexandra Wilson is Professor of Music and Cultural History at Oxford Brookes University. Her research focuses on opera and operatic culture from the nineteenth century to the present. Her publications include the award-winning The Puccini Problem: Opera, Nationalism, and Modernity and a monograph on Opera in the Jazz Age: Cultural Politics in 1920s Britain (OUP, 2019), and she regularly works with the UK's leading opera companies.
Inhaltsangabe
Introduction Chapter 1: La Bohème in Context Chapter 2: La Bohème's Paris Chapter 3: La Bohème's Travels Chapter 4: Popularising La Bohème Chapter 5: La Bohème Reimagined Bibliography
Introduction Chapter 1: La Bohème in Context Chapter 2: La Bohème's Paris Chapter 3: La Bohème's Travels Chapter 4: Popularising La Bohème Chapter 5: La Bohème Reimagined Bibliography
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