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In 1974, Serbian performance artist Marina Abramoviâc surrounded herself with seventy-two objects, divided into two categories: pleasure and pain. She invited her audience to use them on her body, thereby transforming it into just one more object. Her goal was to observe how humans behaved when faced with defenselessness. By the end of the performance, it is said Abramovi 's very life was in danger. Ultimately, inflicting pain was the easy part. The hardest thing is always love. To say "do what you want with me" is an invitation to pain, but also a gesture of blind trust, of submission. Using…mehr

Produktbeschreibung
In 1974, Serbian performance artist Marina Abramoviâc surrounded herself with seventy-two objects, divided into two categories: pleasure and pain. She invited her audience to use them on her body, thereby transforming it into just one more object. Her goal was to observe how humans behaved when faced with defenselessness. By the end of the performance, it is said Abramovi 's very life was in danger. Ultimately, inflicting pain was the easy part. The hardest thing is always love. To say "do what you want with me" is an invitation to pain, but also a gesture of blind trust, of submission. Using Abramovi 's performance as his reference point, Miguel Gane, one of the best-known poets of his generation, reflects on the people who own our hearts and how, through love, we give others the power to hurt us even as they make us whole.
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Autorenporträt
Miguel Gane (George Mihaita Gane), nació el 20 de julio de 1993 en Leresti, Rumanía. Es autor de los poemarios Con tal de verte volar, Ahora que ya bailas, La piel en los labios y Ojos de sol, así como de la novela Cuando seas mayor. Nunca ha ganado ningún premio. Su nombre no ha firmado ninguna columna periodística. Sus estudios son irrelevantes porque nada -¿o sí?- tienen que ver con la literatura.