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Liz Nakazawa's Pulse and Weave brings us poems emanating from both quotidian reality and from a dreamscape full of "mirages without evaporation." A born naturalist, Nakazawa folds mallard, ironwood, yarrow, coulee, wetland and moonflower into her lines, creating an "origami dream" of flora and fauna. In one of this book's celebratory poems ("Sojourn to the Countryside"), we encounter those seeds "wanting to believe in a better world / seeds for short enduring joys, and long encouraged prayers." Such seeds carry the kind of intent evident throughout Nakazawa's work. -Paulann Petersen, Oregon Poet Laureate Emerita…mehr

Produktbeschreibung
Liz Nakazawa's Pulse and Weave brings us poems emanating from both quotidian reality and from a dreamscape full of "mirages without evaporation." A born naturalist, Nakazawa folds mallard, ironwood, yarrow, coulee, wetland and moonflower into her lines, creating an "origami dream" of flora and fauna. In one of this book's celebratory poems ("Sojourn to the Countryside"), we encounter those seeds "wanting to believe in a better world / seeds for short enduring joys, and long encouraged prayers." Such seeds carry the kind of intent evident throughout Nakazawa's work. -Paulann Petersen, Oregon Poet Laureate Emerita
Autorenporträt
Liz Nakazawa has edited two collections of poetry by Oregon poets: Deer Drink the Moon: Poems of Oregon and The Knotted Bond: Oregon Poets Speak of Their Sisters. Deer Drink the Moon was listed as one of "150 Books for 150 Years of Statehood," announced by the Oregon State Library and Poetry Northwest in 2009 (poetrynw.org/824) and was also a Best Pick of Powell's. Her own poems have appeared in The Timberline Review, The Poeming Pigeon, Willawa, Turn, Amythyst Review, Rock and Sling, Remington Review and ahundredgourds. She writes essays, takes photos, enjoys walking, swimming and choreographing dances, and is a practitioner of calligraphy in addition to writing poetry. She feels grateful to be living in this bounteous and wondrous world.