Punching Up in Stand-Up Comedy
Speaking Truth to Power
Herausgeber: Bhargava, Rashi; Chilana, Richa
Punching Up in Stand-Up Comedy
Speaking Truth to Power
Herausgeber: Bhargava, Rashi; Chilana, Richa
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Punching Up explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised.
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Punching Up explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 278
- Erscheinungstermin: 30. Dezember 2022
- Englisch
- Abmessung: 234mm x 156mm x 15mm
- Gewicht: 426g
- ISBN-13: 9781032267258
- ISBN-10: 1032267259
- Artikelnr.: 65919230
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 278
- Erscheinungstermin: 30. Dezember 2022
- Englisch
- Abmessung: 234mm x 156mm x 15mm
- Gewicht: 426g
- ISBN-13: 9781032267258
- ISBN-10: 1032267259
- Artikelnr.: 65919230
Rashi Bhargava is currently an Assistant Professor in Sociology at the Department of Sociology and Social Work, Christ (Deemed to be University), Bengaluru. Prior to joining Christ, she taught at the Department of Sociology, Maitreyi College, and other colleges in University of Delhi for almost a decade. She completed her doctorate from the Centre for the Study of Social Systems, School of Social Sciences, Jawaharlal Nehru University. Her research interests include politics and culture in North-East India, sociology of gender and urban spaces, visual culture and disciplinary practices of sociology and social anthropology in South Asia. Her recent publications include Social Scientist in South Asia: Personal Narratives, Social Forces and Negotiations co-edited with Achla Pritam Tandon and Gopi Tripathy and Materiality and Visuality in North East India: An Interdisciplinary Perspective co-edited with Tiplut Nongbri. Richa Chilana is currently teaching at the School of Liberal Studies, UPES, Dehradun, as an Assistant Professor. She has a decade-long experience of teaching English Literature at the Department of English, Maitreyi College, University of Delhi. Her doctoral thesis titled "Negotiating the Veil: Purdah in Twentieth Century Indian English Writing" (Centre for English Studies, Jawaharlal Nehru University) engaged with the complexities of purdah as a garment, an ideology and division of space on the basis of gender. She has taught, has an avid interest and has published research articles and book chapters in the fields of gender studies, Indian English writing, popular fiction, and literature and cinema.
Introduction; Part I Punching In and Punching Up: Origins, Limits and
Possibilities 1 The History of Moroccan Stand-Up Comedy: From Storytelling
to Charged Humour; 2 Standing Up for Speaking Up: Stand-Up Comedy in the
Indonesian Context; 3 The Jamel Comedy Club: (Mis)understanding Stand-Up
Comedy's Relationship with Urban Culture in France; 4 Stand-Up Comedy as
Escape: Caste and Media Infrastructure in Mumbai; 5 Voices from the Comedy
Contact Zone: Regarding Performative Strategies Toward Race and the
Transnational Body; Part II Gendered Experiences and Stand-Up Comedy 6
Humour as Antihistamine in the Discourse of Persian Stand-Up Comedy: Female
Stand-Up Comedians in Iran; 7 Asserting Cultural Citizenship through
Situated Comedy: Female Comedians in India; 8 Notes on Hannah Gadsby's
Nanette, Adorno's Kulturindustrie and Feminism; Part III Comics and the
Audience: Connections, Ethics and Efficacy? 9 Awkward Connections: Stand-Up
Comedy as Affective Arrangement; 10 The Revolution Will Be a Joke: Semiotic
Ideologies of Ethics and Efficacy in Stand-Up Comedy; 11 Standing Up for a
Cause: The Cathartic and Persuasive Power of Stand-Up Comedy; 12 Which
Direction Do We Punch? The Powers and Perils of Humour against the New
Conspiracism
Possibilities 1 The History of Moroccan Stand-Up Comedy: From Storytelling
to Charged Humour; 2 Standing Up for Speaking Up: Stand-Up Comedy in the
Indonesian Context; 3 The Jamel Comedy Club: (Mis)understanding Stand-Up
Comedy's Relationship with Urban Culture in France; 4 Stand-Up Comedy as
Escape: Caste and Media Infrastructure in Mumbai; 5 Voices from the Comedy
Contact Zone: Regarding Performative Strategies Toward Race and the
Transnational Body; Part II Gendered Experiences and Stand-Up Comedy 6
Humour as Antihistamine in the Discourse of Persian Stand-Up Comedy: Female
Stand-Up Comedians in Iran; 7 Asserting Cultural Citizenship through
Situated Comedy: Female Comedians in India; 8 Notes on Hannah Gadsby's
Nanette, Adorno's Kulturindustrie and Feminism; Part III Comics and the
Audience: Connections, Ethics and Efficacy? 9 Awkward Connections: Stand-Up
Comedy as Affective Arrangement; 10 The Revolution Will Be a Joke: Semiotic
Ideologies of Ethics and Efficacy in Stand-Up Comedy; 11 Standing Up for a
Cause: The Cathartic and Persuasive Power of Stand-Up Comedy; 12 Which
Direction Do We Punch? The Powers and Perils of Humour against the New
Conspiracism
Introduction; Part I Punching In and Punching Up: Origins, Limits and
Possibilities 1 The History of Moroccan Stand-Up Comedy: From Storytelling
to Charged Humour; 2 Standing Up for Speaking Up: Stand-Up Comedy in the
Indonesian Context; 3 The Jamel Comedy Club: (Mis)understanding Stand-Up
Comedy's Relationship with Urban Culture in France; 4 Stand-Up Comedy as
Escape: Caste and Media Infrastructure in Mumbai; 5 Voices from the Comedy
Contact Zone: Regarding Performative Strategies Toward Race and the
Transnational Body; Part II Gendered Experiences and Stand-Up Comedy 6
Humour as Antihistamine in the Discourse of Persian Stand-Up Comedy: Female
Stand-Up Comedians in Iran; 7 Asserting Cultural Citizenship through
Situated Comedy: Female Comedians in India; 8 Notes on Hannah Gadsby's
Nanette, Adorno's Kulturindustrie and Feminism; Part III Comics and the
Audience: Connections, Ethics and Efficacy? 9 Awkward Connections: Stand-Up
Comedy as Affective Arrangement; 10 The Revolution Will Be a Joke: Semiotic
Ideologies of Ethics and Efficacy in Stand-Up Comedy; 11 Standing Up for a
Cause: The Cathartic and Persuasive Power of Stand-Up Comedy; 12 Which
Direction Do We Punch? The Powers and Perils of Humour against the New
Conspiracism
Possibilities 1 The History of Moroccan Stand-Up Comedy: From Storytelling
to Charged Humour; 2 Standing Up for Speaking Up: Stand-Up Comedy in the
Indonesian Context; 3 The Jamel Comedy Club: (Mis)understanding Stand-Up
Comedy's Relationship with Urban Culture in France; 4 Stand-Up Comedy as
Escape: Caste and Media Infrastructure in Mumbai; 5 Voices from the Comedy
Contact Zone: Regarding Performative Strategies Toward Race and the
Transnational Body; Part II Gendered Experiences and Stand-Up Comedy 6
Humour as Antihistamine in the Discourse of Persian Stand-Up Comedy: Female
Stand-Up Comedians in Iran; 7 Asserting Cultural Citizenship through
Situated Comedy: Female Comedians in India; 8 Notes on Hannah Gadsby's
Nanette, Adorno's Kulturindustrie and Feminism; Part III Comics and the
Audience: Connections, Ethics and Efficacy? 9 Awkward Connections: Stand-Up
Comedy as Affective Arrangement; 10 The Revolution Will Be a Joke: Semiotic
Ideologies of Ethics and Efficacy in Stand-Up Comedy; 11 Standing Up for a
Cause: The Cathartic and Persuasive Power of Stand-Up Comedy; 12 Which
Direction Do We Punch? The Powers and Perils of Humour against the New
Conspiracism