Punjab Sounds nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects and techniques that do the region.
Punjab Sounds nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects and techniques that do the region.
Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800-1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University, Delhi and Associate Editor of the journal BioScope: South Asian Screen Studies.
Inhaltsangabe
Foreword by Ira Bhaskar (Professor (retd) of Cinema Studies at the School of Arts and Aesthetics at Jawaharlal Nehru University in New Delhi, India.) 1. Introduction Regioning Sound from South Asia Vebhuti Duggal (Assistant Professor in Film Studies, Ambedkar University Delhi) and Radha Kapuria (Assistant Professor in South Asian History, University of Durham) I. Aural Signs of the Region 2. One Transnation under a Groove: 'Chaal' and the Modern Punjabi Soundscape Gibb Schreffler (Associate Professor of Music at Pomona College, California) 3. Sound and Politics of Classical Music in West Punjab Ghulam Ali Shair (Graduate Student in Sociology, University of Warwick) 4. Mixing the legends-Changing Representations of Nostalgia in Diasporic Punjabi remix culture Julia Szivak (Assistant Lecturer,Pazmany Peter Catholic University, Budapest) II. Soundscapes of the Punjab 5. Trinjan Audiotopias: Complaint, Desire, and the Bawdy in Punjabi Giddha Performance Practices Kiran Sunar (Assistant Professor in Punjabi Language, Literature, and Culture at the University of British Columbia) and Ranbir Johal (Lecturer, Kwantlen Polytechnic University, Vancouver) 6. Folkloric Poetic Traditions and Gender Relations: An Ethnomusicological Study of Sithnian as a Celebratory Resistance in the Punjab Sumera Saleem (Assistant Professor of Literature, University of Sargodha) 7. Mapping Punjab Sounds: Two popular Songs about Agriculture and Pottery Sakoon Singh (Assistant Professor in Literature, Panjab University, Chandigarh) 8. Decoding Loudness: The Punjabi Soundscape in Bollywood Shikha Jhingan (Associate Professor in Film Studies, Jawaharlal Nehru University, Delhi) III. Mediating Regional Sound 9. Modernity, Modality, and Meaning: Technological Mediation of abad K rtan at the Golden Temple Kirit James Singh (PhD in Ethnomusicology, SOAS, University of London) 10. Identity and affect: Exploring technology and the sonic in Dalit Music in Punjab Radhika Kumar (Assistant Professor in Political Science, Motilal Nehru College, University of Delhi) 11. "Love From India": YouTube Qaww l as Affective Solidarity in India-Pakistan Relations Thomas Graves (Doctoral candidate in Ethnomusicology, Durham University) Afterword: Coda by Virinder Kalra (Professor in Sociology, University of Warwick) Acknowledgments Index
Foreword by Ira Bhaskar (Professor (retd) of Cinema Studies at the School of Arts and Aesthetics at Jawaharlal Nehru University in New Delhi, India.) 1. Introduction Regioning Sound from South Asia Vebhuti Duggal (Assistant Professor in Film Studies, Ambedkar University Delhi) and Radha Kapuria (Assistant Professor in South Asian History, University of Durham) I. Aural Signs of the Region 2. One Transnation under a Groove: 'Chaal' and the Modern Punjabi Soundscape Gibb Schreffler (Associate Professor of Music at Pomona College, California) 3. Sound and Politics of Classical Music in West Punjab Ghulam Ali Shair (Graduate Student in Sociology, University of Warwick) 4. Mixing the legends-Changing Representations of Nostalgia in Diasporic Punjabi remix culture Julia Szivak (Assistant Lecturer,Pazmany Peter Catholic University, Budapest) II. Soundscapes of the Punjab 5. Trinjan Audiotopias: Complaint, Desire, and the Bawdy in Punjabi Giddha Performance Practices Kiran Sunar (Assistant Professor in Punjabi Language, Literature, and Culture at the University of British Columbia) and Ranbir Johal (Lecturer, Kwantlen Polytechnic University, Vancouver) 6. Folkloric Poetic Traditions and Gender Relations: An Ethnomusicological Study of Sithnian as a Celebratory Resistance in the Punjab Sumera Saleem (Assistant Professor of Literature, University of Sargodha) 7. Mapping Punjab Sounds: Two popular Songs about Agriculture and Pottery Sakoon Singh (Assistant Professor in Literature, Panjab University, Chandigarh) 8. Decoding Loudness: The Punjabi Soundscape in Bollywood Shikha Jhingan (Associate Professor in Film Studies, Jawaharlal Nehru University, Delhi) III. Mediating Regional Sound 9. Modernity, Modality, and Meaning: Technological Mediation of abad K rtan at the Golden Temple Kirit James Singh (PhD in Ethnomusicology, SOAS, University of London) 10. Identity and affect: Exploring technology and the sonic in Dalit Music in Punjab Radhika Kumar (Assistant Professor in Political Science, Motilal Nehru College, University of Delhi) 11. "Love From India": YouTube Qaww l as Affective Solidarity in India-Pakistan Relations Thomas Graves (Doctoral candidate in Ethnomusicology, Durham University) Afterword: Coda by Virinder Kalra (Professor in Sociology, University of Warwick) Acknowledgments Index
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