A provocative account of contemporary political nihilism and 'end of the world' thinking that makes a plea for punk anarchism as a response.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sean Parson is Assistant Professor in the Department of Politics and International Affairs at Northern Arizona University, USA. He is the author of Cooking Up a Revolution: Food Not Bombs, Homes Not Jails, and Resistance to Gentrification (2019) and the co-editor of Superheroes and Critical Animal Studies: The Heroic Beasts of Total Liberation (2017). He is on the editorial board for Abolition: A Journal of Insurgent Politics and a board member for The Institute for Critical Animal Studies and is a caucus member for New Political Science.
Inhaltsangabe
An Anti-Introduction: A Leap Into the Void I. Anti-Theory: Dada, Situationism, Stirner, and Punk II. An Outline of Things to Come: An Anti-introduction Chapter One: The Crisis of Representation and the Collapse of the Liberal Order I. The Mediated Reality, the Hyperreal, and the Crisis of Representation II. The Collapse of the Post-war Spectacle III. The Current Crisis of Representation IV. Concluding Thoughts: Past, Present, Future and the End of History Chapter Two: Industrialism is a Death Camp I. Industrial Objects and the Materiality of Symbolic Anxiety II. A Genealogical Analysis of the Gas Mask: From Plague Doctors to Anti-state Protestors III. Industrialism as Suicidal Blackmail Chapter Three: The Climate isn't Real I. The Simulacra and Disaster Management: The Environment and Climate II. The Politics of Models: Administrative Rationalism and the state regulation of Illusions: III. Accepting the Nonidentity of Nature: Solaris, Cthuhlu, and the Masterless Object IV. Anti-World Politics: Revolutionary Demonology and the Destruction of Enlightenment Order Chapter Four: A Rising Tide Sinks All Art Galleries I. Art, the Economy, the State: II. Negation as an Artistic Medium: Activism as Performance Art III. Mausoleums of our Extinct Culture IV. Art as Resistance and Resistance as Art Chapter Five: No Future, No Hope I. What the End of the World Means. II. Temporal Nihilism III. "The Revolutionary is a Doomed Man": Towards Political Nihilism in the 21st Century Chapter Six: Without Gallows Humor There is Only the Gallows I. "Dancing on the Corpses Ashes": Russian Political Nihilism and Clearing the Rubble of Social Collapse II. "The Goal of my Activities is the Destruction of all Living Things": The Revolutionary Nihilism of Kaneko Fumiko III. "We All Die in a Yellow Submarine": Resentment and the Tragi-comedy of Dead Billionaires IV. Conclusion: Cabin in the Woods and the Politics of Armed Joy Chapter Seven: Towards A Nihilistic Politics of Attack I. "The Revolutionary Handbrake": Walter Benjamin on Revolution and the Future II. A Strategy of Attack: Against Accelerationism and Withdrawal III. "The misplaced optimism of the doomed": Snowpiercer (2013) as Destituent Power and An Insurrectionary Handbreak Conclusion: A Requiem for Our World
An Anti-Introduction: A Leap Into the Void I. Anti-Theory: Dada, Situationism, Stirner, and Punk II. An Outline of Things to Come: An Anti-introduction Chapter One: The Crisis of Representation and the Collapse of the Liberal Order I. The Mediated Reality, the Hyperreal, and the Crisis of Representation II. The Collapse of the Post-war Spectacle III. The Current Crisis of Representation IV. Concluding Thoughts: Past, Present, Future and the End of History Chapter Two: Industrialism is a Death Camp I. Industrial Objects and the Materiality of Symbolic Anxiety II. A Genealogical Analysis of the Gas Mask: From Plague Doctors to Anti-state Protestors III. Industrialism as Suicidal Blackmail Chapter Three: The Climate isn't Real I. The Simulacra and Disaster Management: The Environment and Climate II. The Politics of Models: Administrative Rationalism and the state regulation of Illusions: III. Accepting the Nonidentity of Nature: Solaris, Cthuhlu, and the Masterless Object IV. Anti-World Politics: Revolutionary Demonology and the Destruction of Enlightenment Order Chapter Four: A Rising Tide Sinks All Art Galleries I. Art, the Economy, the State: II. Negation as an Artistic Medium: Activism as Performance Art III. Mausoleums of our Extinct Culture IV. Art as Resistance and Resistance as Art Chapter Five: No Future, No Hope I. What the End of the World Means. II. Temporal Nihilism III. "The Revolutionary is a Doomed Man": Towards Political Nihilism in the 21st Century Chapter Six: Without Gallows Humor There is Only the Gallows I. "Dancing on the Corpses Ashes": Russian Political Nihilism and Clearing the Rubble of Social Collapse II. "The Goal of my Activities is the Destruction of all Living Things": The Revolutionary Nihilism of Kaneko Fumiko III. "We All Die in a Yellow Submarine": Resentment and the Tragi-comedy of Dead Billionaires IV. Conclusion: Cabin in the Woods and the Politics of Armed Joy Chapter Seven: Towards A Nihilistic Politics of Attack I. "The Revolutionary Handbrake": Walter Benjamin on Revolution and the Future II. A Strategy of Attack: Against Accelerationism and Withdrawal III. "The misplaced optimism of the doomed": Snowpiercer (2013) as Destituent Power and An Insurrectionary Handbreak Conclusion: A Requiem for Our World
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