Minot may only be the fourth largest city in North Dakota, but it's a key player in the punk ecosphere. Home to the longest continuous scene in the Dakotas, it has long served as an important stop for touring bands. Local teens grow up, start bands, and instead of moving to larger cities, take the reigns on their scene to keep the magic going. From finding venues to booking shows, they strengthen the community by showing each other and younger generations that life can truly be what you make of it.
Minot may only be the fourth largest city in North Dakota, but it's a key player in the punk ecosphere. Home to the longest continuous scene in the Dakotas, it has long served as an important stop for touring bands. Local teens grow up, start bands, and instead of moving to larger cities, take the reigns on their scene to keep the magic going. From finding venues to booking shows, they strengthen the community by showing each other and younger generations that life can truly be what you make of it.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joe Biel is a self-made autistic publisher and filmmaker who draws origins, inspiration, and methods from punk rock. Biel is the founder and CEO of Microcosm Publishing, Publishers Weekly's #1 fastest-growing publisher of 2022 and #3 in 2023. Biel has been featured in Time Magazine, Esquire, Art of Autism, Reading Glasses, Bulletproof Radio, Spectator (Japan), G33K (Korea), and Maximum Rocknroll, as well as on NPR and PBS. Biel is the author of A People's Guide to Publishing: Building a Successful, Sustainable, Meaningful Book Business, Good Trouble: Building a Successful Life & Business with Autism, and dozens more. Biel is the director of five feature films and hundreds of short films, including Aftermass: Bicycling in a Post-Critical Mass Portland, $100 & a T-Shirt, and the Groundswell film series. Biel lives in Portland, OR. Find out more at joebiel.net. Alexander Herbert is a research fellow at Brandeis University focusing on the history of the late Soviet Union. He is a devoted father, veteran vegan, self-ascribed environmentalist, occasional musician, opportunistic freelance writer and translator, and fan of beet and pickle pizza. Aside from academic research, Alexander has been a punk rock and hardcore enthusiast since the point of contact and has contributed to such iconic fanzines as Maximum Rocknroll and Razorcake. He thoroughly enjoys connecting strangers and has proudly established lines of communication between musicians, writers, and artists in Russia and the United States since 2014. You can read more of Alexander's editorial work and firsthand stories of punk in Russia in Punks Around, a fanzine he edits that prints tales of contributors' experiences in punk scenes around the world.
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