An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, emotional and aesthetic parameters of plastic surgery.
An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, emotional and aesthetic parameters of plastic surgery.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
CHRISTINE SLOBOGIN, an art historian of medicine, is an Assistant Professor of Health Humanities and Bioethics at the University of Rochester.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction Part I: Approaching the Archive 1. Collecting Affect: Emotion, Empathy, and the Surgical Archive 2. Narratives of the BAPRAS Archive 3. Counternarratives of the BAPRAS Archive Part II: Putting Plastic Surgery on Paper 4. Dickie Orpen: Identity, Pedagogy, and Medico-Artistic Looking 5. Plastic Humor: Dickie Orpen's Palliative and Queer Cartoons 6. Percy Hennell: Color, Place, and Surgical Emotion 7. "Something Useful in a National Sense": Percy Hennell's Photography as Propaganda Conclusion Bibliography Index
List of Illustrations Acknowledgments Introduction Part I: Approaching the Archive 1. Collecting Affect: Emotion, Empathy, and the Surgical Archive 2. Narratives of the BAPRAS Archive 3. Counternarratives of the BAPRAS Archive Part II: Putting Plastic Surgery on Paper 4. Dickie Orpen: Identity, Pedagogy, and Medico-Artistic Looking 5. Plastic Humor: Dickie Orpen's Palliative and Queer Cartoons 6. Percy Hennell: Color, Place, and Surgical Emotion 7. "Something Useful in a National Sense": Percy Hennell's Photography as Propaganda Conclusion Bibliography Index
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