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This book is the first of its kind to use photographs of Iran's Qajar period to prove the level of ability of the medium to document and simultaneously pathologise the history, culture, story, and maybe struggle of African slave communities in Qajar Iran.

Produktbeschreibung
This book is the first of its kind to use photographs of Iran's Qajar period to prove the level of ability of the medium to document and simultaneously pathologise the history, culture, story, and maybe struggle of African slave communities in Qajar Iran.
Autorenporträt
Pedram Khosronejad is Farzaneh Family Chair and Associate Director for Iranian and Persian Gulf Studies Program (IPGS) at the Oklahoma State University and also associated member of Groupe Sociétés, Religions, Laicités, CNRS-Paris, France. He obtained his PhD at the École des Hautes Études en Sciences Sociales (EHESS) in Paris. His research interests include cultural and social anthropology, the anthropology of death and dying, visual anthropology, visual piety, devotional artefacts, and religious material culture, with a particular interest in Iran, Persianate societies and the Islamic world. He is author of Les Lions en Pierre Sculptée chez les Bakhtiari: Description et significations de sculptures zoomorphes dans une société tribale du sud-ouest de l'Iran, The Anthropology of Persianate Societies, Volume 2, Sean Kingston Publishing, U.K. He is also the editor of several publications: The Art and Material Culture of Iranian Shi'ism: Iconography and Religious Devotion in Shi'i Islam (I.B.Tauris); Saints and their Pilgrims in Iran and Neighboring Countries (SeanKingston); Iranian Sacred Defence Cinema: Religion, Martyrdom and National Identity (SeanKingston); Unburied Memories: The Politics of Bodies, and the Material Culture of Sacred Defense Martyrs in Iran (Routledge). He is also chief editor of the Anthropology of the Contemporary Middle East and Central Eurasia (ACME).