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Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the field of contemporary television to debate what we mean by quality TV.

Produktbeschreibung
Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the field of contemporary television to debate what we mean by quality TV.
Autorenporträt
Janet McCabe is Research Associate (TV Drama) at Manchester Metropolitan University. She is Managing Editor of Critical Studies in Television and author of Feminist Film Studies: Writing the Woman into Cinema (Wallflower, 2004). Kim Akass is Research Fellow (TV Drama) at Manchester Metropolitan University and is co-editor of Critical Studies in Television. Janet McCabe and Kim Akass are joint Series Editors of the Reading Contemporary Television Series at I.B.Tauris. They have co-edited and contributed to Reading Sex and the City (2004), Reading Six Feet Under: TV To Die For (2005), Reading The L Word: Outing Contemporary Television (2006) and Reading Desperate Housewives: Beyond the White Picket Fence (2006, all I.B.Tauris).