Offering a new theory of queer world cinema, Karl Schoonover and Rosalind Galt explore how it intersects with shifting ideals of global politics and cinema aesthetics to demonstrate its potential to disturb dominant modes of world making and to forge spaces of queer belonging.
Offering a new theory of queer world cinema, Karl Schoonover and Rosalind Galt explore how it intersects with shifting ideals of global politics and cinema aesthetics to demonstrate its potential to disturb dominant modes of world making and to forge spaces of queer belonging.
Karl Schoonover is Associate Professor and Reader in Film and Television Studies at the University of Warwick and the author of Brutal Vision: The Neorealist Body in Postwar Italian Cinema. Rosalind Galt is Professor of Film Studies at King's College London and the author of Pretty: Film and the Decorative Image.
Inhaltsangabe
Acknowledgments ix Introduction. Queer, World, Cinema 1 1. Figures in the World: The Geopolitics of theTranscutlural Queer 35 2. A Worldly Affair: Queer Film Festivals and Global Space 79 3. Speaking Otherwise: Allegory, Narrative, and Queer Public Space 119 4. The Queer Popular: Genre and Perverse Economies of Scale 167 5. Registers of Belonging: Queer Worldly Affects 211 6. The Emergence of Queer Cinematic Time 259 Notes 305 Bibliography 339 Index 357
Acknowledgments ix Introduction. Queer, World, Cinema 1 1. Figures in the World: The Geopolitics of theTranscutlural Queer 35 2. A Worldly Affair: Queer Film Festivals and Global Space 79 3. Speaking Otherwise: Allegory, Narrative, and Queer Public Space 119 4. The Queer Popular: Genre and Perverse Economies of Scale 167 5. Registers of Belonging: Queer Worldly Affects 211 6. The Emergence of Queer Cinematic Time 259 Notes 305 Bibliography 339 Index 357
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