Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.
Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Harry M. Benshoff is an Assistant Professor in Radio, Television and Film at the University of North Texas. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997) and co-author (with Sean Griffin) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004) Dr. Sean Griffin is an Assistant Professor in the Division of Cinema-Television at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (NYU Press, 2000), and co-author (with Harry M. Benshoff) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004).
Inhaltsangabe
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship 2. Physique Cinema, 1945-1969: Hard to Imagine 3. Transgressive Cinema: Lesbian Independent Film 4. The New Queer Cinema, Part Two: Forms 5. The Monster and the Homosexual 6. Queer Negotiations of the Hollywood Musical 7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception 10. Judy Garland and Gay Men 11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics 12. 'Out of the Closet and into the Universe': Queers and Star Trek 13. Reviewing Queer Viewing
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'Four Stars ... there is much to appreciate here' - Film Review
'Four Stars ... there is much to appreciate here' - Film Review
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