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Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in the scholarship on queer visual studies. Navigating notions of silence, misunderstanding, pleasure, and affects of phobia in artworks and texts, the authors in this volume propose new and surprising ways of understanding the difficulty-even failure-of the epistemology of the closet.

Produktbeschreibung
Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in the scholarship on queer visual studies. Navigating notions of silence, misunderstanding, pleasure, and affects of phobia in artworks and texts, the authors in this volume propose new and surprising ways of understanding the difficulty-even failure-of the epistemology of the closet.
Autorenporträt
Jongwoo Jeremy Kim is Associate Professor of Art History at the Hite Art Institute at the University of Louisville, USA. Painted Men in Britain, 1868-1918: Royal Academicians and Masculinities (2012) is his first book. Christopher Reed is Liberal Arts Research Professor of English and Visual Culture at the Pennsylvania State University, USA. His books include Bachelor Japanists: Japanese Aesthetics and Western Masculinities (2016), Art and Homosexuality: A History of Ideas (2011), the co-authored If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past (2012), Bloomsbury Rooms: Modernism, Subculture, and Domesticity (2004), and the anthology Not at Home: The Suppression of Domesticity in Modern Art and Architecture (1996).