Queer Ear
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This book brings together a diverse group of music theorists who issue queer challenges to both music theory and musicology and show that queerness is integral to music-theoretical practice. Through the lenses of queer temporality, queer narratology, and queer music analysis, chapters examine a wide variety of artists and composers, including Sun Ra, Cowell, Czernowin, Henze, Schubert, and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and authors such as Edward Cone and Edward Prime-Stevenson.

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Produktbeschreibung
This book brings together a diverse group of music theorists who issue queer challenges to both music theory and musicology and show that queerness is integral to music-theoretical practice. Through the lenses of queer temporality, queer narratology, and queer music analysis, chapters examine a wide variety of artists and composers, including Sun Ra, Cowell, Czernowin, Henze, Schubert, and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and authors such as Edward Cone and Edward Prime-Stevenson.
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Autorenporträt
Gavin S.K. Lee is Assistant Professor of Music at Soochow University. His research on queer music studies and global musical modernisms, particularly in Asian geographies, has appeared in Music Theory Spectrum, Music Analysis, Journal of the Royal Musical Association, and Current Musicology . He is the author of the forthcoming Estrangement from Ethnicity: Music and Sinophone Alienation and editor of Rethinking Difference in Gender, Sexuality, and Popular Music. In recent years, Lee has presented guest lectures on three continents at universities in the US, Australia, and Taiwan.