Queer Print in Europe
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"The first book devoted to the exploration of queer print cultures in Europe, illustrated throughout with unearthed material from archives and personal collections. Including manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print alongside theoretical essays that set particular publications and producers in context. This book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism and identifies both the significant contribution that…mehr

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Produktbeschreibung
"The first book devoted to the exploration of queer print cultures in Europe, illustrated throughout with unearthed material from archives and personal collections. Including manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print alongside theoretical essays that set particular publications and producers in context. This book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism and identifies both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design"--
Autorenporträt
Glyn Davis is Professor of Film Studies at the University of St Andrews, UK. He is the author, co-author, or co-editor of eleven books, including The Richard Dyer Reader (BFI/Bloomsbury, co-edited with Jaap Kooijman, forthcoming 2022), The Living End: A Queer Film Classic (forthcoming, 2022), and Pop Cinema (co-edited with Tom Day, forthcoming 2022). From 2016 to 2019, Glyn was the Project Leader of 'Cruising the Seventies: Unearthing Pre-HIV/AIDS Queer Sexual Cultures', a pan-European queer history project funded by HERA and the European Commission (www.crusev.ed.ac.uk). Laura Guy is Lecturer in Fine Art Critical Studies at The Glasgow School of Art, UK. Her research focuses on post-1960s photographic, documentary and print cultures and has recently been published in Third Text, Women: A Cultural Review, Aperture and Frieze. She is editor of Phyllis Christopher, Dark Room: San Francisco Sex and Protest, 1988-2003 (2021).