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"Carla Freccero's beautifully written book offers a strong, persuasive, and new way of reading queer early modern texts. Refusing the historicist view that would draw fierce lines between premodern and modern, Freccero asks her reader to consider premodern texts as intervening in the logic of their times and persisting within modernity in spectral form. Her intense engagement with queer early modern scholarship is enriched and disoriented by her insistence that contemporary practices of 'queering' are haunted by their unfinished and unfinishable past. Her singular and deft way of moving…mehr

Produktbeschreibung
"Carla Freccero's beautifully written book offers a strong, persuasive, and new way of reading queer early modern texts. Refusing the historicist view that would draw fierce lines between premodern and modern, Freccero asks her reader to consider premodern texts as intervening in the logic of their times and persisting within modernity in spectral form. Her intense engagement with queer early modern scholarship is enriched and disoriented by her insistence that contemporary practices of 'queering' are haunted by their unfinished and unfinishable past. Her singular and deft way of moving between contemporary culture and politics and the animated remnants of premodern texts offers a brilliant model for contemporary scholarship and a truly innovative turn in queer studies."--Judith Butler, Maxine Elliot Professor at the University of California, Berkeley
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Autorenporträt
Carla Freccero is Chair of the Department of Literature and Professor of Literature, History of Consciousness, and Women’s Studies at the University of California, Santa Cruz. She is the author of Popular Culture: An Introduction and Father Figures: Genealogy and Narrative Structure in Rabelais and a coeditor of Premodern Sexualities.