Querying Consent examines the ways in which the concept of consent is used to map and regulate sexual desire, gender relationships, global positions, technological interfaces, relationships of production and consumption, and literary and artistic interactions. From philosophy to literature, psychoanalysis to the art world, the contributors address the most uncomfortable questions about consent today.
Querying Consent examines the ways in which the concept of consent is used to map and regulate sexual desire, gender relationships, global positions, technological interfaces, relationships of production and consumption, and literary and artistic interactions. From philosophy to literature, psychoanalysis to the art world, the contributors address the most uncomfortable questions about consent today.
JORDANA GREENBLATT teaches English at York University and writing at the University of Toronto in Canada. KEJA VALENS is a professor of English at Salem State University in Massachusetts. She is the author of Desire between Women in Caribbean Literature.
Inhaltsangabe
Contents Introduction: The Subject of Consent Jordana Greenblatt and Keja Valens Part 1: Consent, Power, and Agency Chapter 1: Consent, Command, Confession Karmen MacKendrick Chapter 2: The Gender of Consent in Patmore, Hopkins, and Marie Lataste Amanda Paxton Chapter 3: Consensual Sex, Consensual Text: Law, Literature, and the Production of the Consenting Subject Jordana Greenblatt Chapter 4: Consent and the Limits of Abuse in Their Eyes Were Watching God and "Ain't Nobody's Business if I Do" Keja Valens Part 2: Consent, Violence, and Refusal Chapter 5: The Seduction of Rape as Allegory in Postcolonial Literature Justine Leach Chapter 6: Willful Creatures: Consent, Response, and Animal Will in Thomas Hardy's Tess of the d'Urbervilles Kimberly O'Donnell Chapter 7: Consenting to Read: Trigger Warnings and Textual Violence Brian Martin Chapter 8:Blue is the Warmest Color, Luce Irigaray, and the Question of Consent Caroline Godart Part 3: Consent, Personhood, and Property Chapter 9: The Art of Consent Drew Danielle Belsky Chapter 10: Sardanapalus's Hoard: Queer Possession in Henry James's Aspern Papers Annie Pfeifer Chapter 11: Queering and Quartering Informed Consent: Genomic Medicine and Hyperreal Subjectivity Graham Potts Chapter 12: Vulnerabilities: Consent with Pfizer, Marx, and Hobbes Matthias Rudolf Chapter 13: "I Never Heard Anything So Monstrous!": Developmental Psychology, Narrative Form, and the Age of Consent in What Maisie Knew Victoria Olwell Notes on Contributors Index
Contents Introduction: The Subject of Consent Jordana Greenblatt and Keja Valens Part 1: Consent, Power, and Agency Chapter 1: Consent, Command, Confession Karmen MacKendrick Chapter 2: The Gender of Consent in Patmore, Hopkins, and Marie Lataste Amanda Paxton Chapter 3: Consensual Sex, Consensual Text: Law, Literature, and the Production of the Consenting Subject Jordana Greenblatt Chapter 4: Consent and the Limits of Abuse in Their Eyes Were Watching God and "Ain't Nobody's Business if I Do" Keja Valens Part 2: Consent, Violence, and Refusal Chapter 5: The Seduction of Rape as Allegory in Postcolonial Literature Justine Leach Chapter 6: Willful Creatures: Consent, Response, and Animal Will in Thomas Hardy's Tess of the d'Urbervilles Kimberly O'Donnell Chapter 7: Consenting to Read: Trigger Warnings and Textual Violence Brian Martin Chapter 8:Blue is the Warmest Color, Luce Irigaray, and the Question of Consent Caroline Godart Part 3: Consent, Personhood, and Property Chapter 9: The Art of Consent Drew Danielle Belsky Chapter 10: Sardanapalus's Hoard: Queer Possession in Henry James's Aspern Papers Annie Pfeifer Chapter 11: Queering and Quartering Informed Consent: Genomic Medicine and Hyperreal Subjectivity Graham Potts Chapter 12: Vulnerabilities: Consent with Pfizer, Marx, and Hobbes Matthias Rudolf Chapter 13: "I Never Heard Anything So Monstrous!": Developmental Psychology, Narrative Form, and the Age of Consent in What Maisie Knew Victoria Olwell Notes on Contributors Index
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