This book analyzes the mythical aura of Spanish low-budget films of the late 1970s and 1980s, and how marginalization was exploited and romanticized.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jorge González del Pozo is a full professor of spanish at the University of Michigan-Dearborn where he teaches Spanish literature, film, culture and language.
Inhaltsangabe
Prologue: Rehearsing Circles, Hilario J. Rodríguez; Introduction: Quinqui Film as a Reflection of the Transition, Illusions and Shadows of the Great Change, Jorge González del Pozo and Juan Laborda Barceló; Chapter 1 Cinema on the Margin. Reflection on Quinqui Filmography by Eloy de la Iglesia, Javier Sánchez Cortina and Teresa Cortina de la Calle; Chapter 2 Heroes and Anti-heroes. . . From the Neighborhood: The History of Postmodern "Robinhoods". Alberto Pascual Pérez; Chapter 3 The Repercussion in the National Press of Derpisa, deprisa (1981), Alejandro Gutiérrez; Chapter 4 Siete vírgenes (2005): Quinquis for the New Millennium, Fernando Marañón; Chapter 5 Margin, Marginality and Delinquency in the area of Quinqui: from Nomadism to the Suburbs in Volando voy (2006) by Miguel Albaladejo, Agustín Cuadrado Gutiérrez; Chapter 6 Todos me llaman gato (1980), Suburban Animals , Andrés Maté Lázaro; Chapter 7 Women on the Warpath. Perras callejeras (1985) by José Antonio de la Loma, Juan Laborda Barceló; Chapter 8 Quinquilleras, Exploitation and Forced Capitalism in Barcelona sur (1981) by Jordi Cadena: An Atypical Case of Delinquent Women in the Unstructured City of the 80s during the Spanish Transition, Jorge González del Pozo; Index.
Prologue: Rehearsing Circles, Hilario J. Rodríguez; Introduction: Quinqui Film as a Reflection of the Transition, Illusions and Shadows of the Great Change, Jorge González del Pozo and Juan Laborda Barceló; Chapter 1 Cinema on the Margin. Reflection on Quinqui Filmography by Eloy de la Iglesia, Javier Sánchez Cortina and Teresa Cortina de la Calle; Chapter 2 Heroes and Anti-heroes. . . From the Neighborhood: The History of Postmodern "Robinhoods". Alberto Pascual Pérez; Chapter 3 The Repercussion in the National Press of Derpisa, deprisa (1981), Alejandro Gutiérrez; Chapter 4 Siete vírgenes (2005): Quinquis for the New Millennium, Fernando Marañón; Chapter 5 Margin, Marginality and Delinquency in the area of Quinqui: from Nomadism to the Suburbs in Volando voy (2006) by Miguel Albaladejo, Agustín Cuadrado Gutiérrez; Chapter 6 Todos me llaman gato (1980), Suburban Animals , Andrés Maté Lázaro; Chapter 7 Women on the Warpath. Perras callejeras (1985) by José Antonio de la Loma, Juan Laborda Barceló; Chapter 8 Quinquilleras, Exploitation and Forced Capitalism in Barcelona sur (1981) by Jordi Cadena: An Atypical Case of Delinquent Women in the Unstructured City of the 80s during the Spanish Transition, Jorge González del Pozo; Index.
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