Julia Dominguez is a professor of Spanish at Iowa State University.
Inhaltsangabe
Introduction Obsessions with Remembering: The Culture of Memory in Early Modern Spain 1. The Anatomy of Early Modern Memory Cervantes and the Early Modern Mind The Topography of the Early Modern Brain Memory and Recollection Don Quixote’s Memory 2. Mental Libraries: The Places of Memory Imaginary Libraries Cervantes and Artificial Memory The Art of Memory and Its Tradition The Art of Memory in the Time of Cervantes Sierra Morena: The Vast Territories of Memory 3. Ut Pictura Memoria: The Mnemonic Power of Images Visual Expressions of Mnemonic Culture in the Age of Cervantes Cervantine Mnemonic Inflections The Mnemonic Power of Images: The Imago Agente in Don Quixote Affectio and the Corporeality of the Phantasmata The Circulation of Images in Cultural Artefacts 4. Information Overload: Stocking Memory in the Age of Cervantes The Anxiety of the "Labyrinths of Letters" Pedagogy, Mnemonics, and the Limits of Humanist Education The Cousin: Student and Humanist External Memories The Mimetic Memory of the Cousin 5. Disputes over Memory: Sancho and the Artful Manipulation of Memory "O Sancho miente o Sancho sueña" "A fe que no os falta memoria cuando vos queréis tenerla": Sancho’s Selective Memory "Como ya pasó, no es" The Story of Torralba and the Performative Dimension of Memory "Alta y sobajada señora..." The False Memory Embedded in Imagination Epilogue Lethe and the Laws of Oblivion: Sites of Forgetting in Don Quixote
Introduction Obsessions with Remembering: The Culture of Memory in Early Modern Spain 1. The Anatomy of Early Modern Memory Cervantes and the Early Modern Mind The Topography of the Early Modern Brain Memory and Recollection Don Quixote’s Memory 2. Mental Libraries: The Places of Memory Imaginary Libraries Cervantes and Artificial Memory The Art of Memory and Its Tradition The Art of Memory in the Time of Cervantes Sierra Morena: The Vast Territories of Memory 3. Ut Pictura Memoria: The Mnemonic Power of Images Visual Expressions of Mnemonic Culture in the Age of Cervantes Cervantine Mnemonic Inflections The Mnemonic Power of Images: The Imago Agente in Don Quixote Affectio and the Corporeality of the Phantasmata The Circulation of Images in Cultural Artefacts 4. Information Overload: Stocking Memory in the Age of Cervantes The Anxiety of the "Labyrinths of Letters" Pedagogy, Mnemonics, and the Limits of Humanist Education The Cousin: Student and Humanist External Memories The Mimetic Memory of the Cousin 5. Disputes over Memory: Sancho and the Artful Manipulation of Memory "O Sancho miente o Sancho sueña" "A fe que no os falta memoria cuando vos queréis tenerla": Sancho’s Selective Memory "Como ya pasó, no es" The Story of Torralba and the Performative Dimension of Memory "Alta y sobajada señora..." The False Memory Embedded in Imagination Epilogue Lethe and the Laws of Oblivion: Sites of Forgetting in Don Quixote
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