This book analyzes representations of race and ethnicity in the context of satire, parody, and comedy. Over thirteen chapters, contributors unpack the ways these depictions can enlighten audiences or reinforce bigotry-or, sometimes, how they do both.
This book analyzes representations of race and ethnicity in the context of satire, parody, and comedy. Over thirteen chapters, contributors unpack the ways these depictions can enlighten audiences or reinforce bigotry-or, sometimes, how they do both.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chrisotpher P. Campbell is a former professor at The University of Southern Mississippi with expertise in race and media, media economics, journalism, and cultural criticism.
Inhaltsangabe
Part I: Satire as Opposition Chapter 1: Atonement: What Reparations and Racial Justice Look Like on Atlanta Chapter 2: #ColoradoBorderWall: Mimetic Discourse as Emancipation Chapter 3: Reservation Dogs, Visual Sovereignty, Performative Indigeneity, and the Cultural Imperative of Native American-Produced Media Chapter 4: "Voldemort under My Headscarf": The Oppositional Muslim Gaze of We are Lady Parts Chapter 5: Class is in Session: Abbott Elementary's "Step Class" and the Oppositional Gaze as Counter-Hegemonic Practice Chapter 6: Squid Game: South Korea's View of Itself and the West Chapter 7: Alternative Media and Representation: An Outsider's Construction of Race on The Daily Show with Trevor Noah Part II: Satire, Challenges and Missed Opportunities Chapter 8: Just Jokes? Dave Chappelle's The Closer and the Intersectional Challenges of Satire Chapter 9: Latin History for Morons: Comedic Revisions and Race in the Work of John Leguizamo Chapter 10: Guess Who's Muslim: Using Satire to Show What "Islam Truly Is" Chapter 11: The Case of Kim's Convenience: Cause for Celebration or a Cautionary Tale? Chapter 12: Missed Opportunities: Discursively Dismantling the Hyper-Wokeness of the Sitcom Community Chapter 13: "Polo, Small but Tough": Arab and Muslim Representations in a Volkswagen "Commercial"
Part I: Satire as Opposition Chapter 1: Atonement: What Reparations and Racial Justice Look Like on Atlanta Chapter 2: #ColoradoBorderWall: Mimetic Discourse as Emancipation Chapter 3: Reservation Dogs, Visual Sovereignty, Performative Indigeneity, and the Cultural Imperative of Native American-Produced Media Chapter 4: "Voldemort under My Headscarf": The Oppositional Muslim Gaze of We are Lady Parts Chapter 5: Class is in Session: Abbott Elementary's "Step Class" and the Oppositional Gaze as Counter-Hegemonic Practice Chapter 6: Squid Game: South Korea's View of Itself and the West Chapter 7: Alternative Media and Representation: An Outsider's Construction of Race on The Daily Show with Trevor Noah Part II: Satire, Challenges and Missed Opportunities Chapter 8: Just Jokes? Dave Chappelle's The Closer and the Intersectional Challenges of Satire Chapter 9: Latin History for Morons: Comedic Revisions and Race in the Work of John Leguizamo Chapter 10: Guess Who's Muslim: Using Satire to Show What "Islam Truly Is" Chapter 11: The Case of Kim's Convenience: Cause for Celebration or a Cautionary Tale? Chapter 12: Missed Opportunities: Discursively Dismantling the Hyper-Wokeness of the Sitcom Community Chapter 13: "Polo, Small but Tough": Arab and Muslim Representations in a Volkswagen "Commercial"
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