This book engages the critical mode of cosmopolitanism through racial discourse in the work of several major twentieth-century African American authors, such as W. E. B. Du Bois, Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray.
This book engages the critical mode of cosmopolitanism through racial discourse in the work of several major twentieth-century African American authors, such as W. E. B. Du Bois, Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray.
Tania Friedel is a lecturer for the Expository Writing Program and Tisch School of the Arts at New York University, where she teaches a course devoted to interrogating ideas of artistic citizenship, the public sphere, and the role of art in the world.
Inhaltsangabe
Credit Lines. Acknowledgments. Introduction: Racial Discourse and Cosmopolitanism 1. Cane's Betrayal and Jean Toomer's Untethered Universalism 2. The "Interminable Puzzles" of Race, Class and Gender in the Novels of Jessie Redmon Fauset 3. The Aesthetics of Particularity and the Politics of Integration: The Ways of White Folks and Langston Hughes's Work with Common Ground in the 1940s 4. The Fine Art Tradition of Albert Murray: Democratic Elitism and Rooted Cosmopolitanism. Notes. Selected Bibliography. Index
Credit Lines. Acknowledgments. Introduction: Racial Discourse and Cosmopolitanism 1. Cane's Betrayal and Jean Toomer's Untethered Universalism 2. The "Interminable Puzzles" of Race, Class and Gender in the Novels of Jessie Redmon Fauset 3. The Aesthetics of Particularity and the Politics of Integration: The Ways of White Folks and Langston Hughes's Work with Common Ground in the 1940s 4. The Fine Art Tradition of Albert Murray: Democratic Elitism and Rooted Cosmopolitanism. Notes. Selected Bibliography. Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
