This book explores how Bruno Mars draws on his mixed cultural, ethnic, and racial background in his music and performance to create "new music nostalgia." The complexity of the celebrity's racial identity informs his performative politics of blackness and forms the basis for a reconceptualization of race and a reimagining of the future.
This book explores how Bruno Mars draws on his mixed cultural, ethnic, and racial background in his music and performance to create "new music nostalgia." The complexity of the celebrity's racial identity informs his performative politics of blackness and forms the basis for a reconceptualization of race and a reimagining of the future.
Melinda A. Mills is associate professor of women's and gender studies, sociology, and anthropology at Castleton University in Vermont.
Inhaltsangabe
Introduction: Introducing Bruno Mars Chapter 1: New Music Nostalgia, Or, Is What's Old New Again? Chapter 2: Blurred Boundaries, or Reading Between the Lines Chapter 3: The Performative Politics of Blackness Chapter 4: The Sonic Politics of Pleasure, Or Love and Joy in a Time of Trauma and Tragedy Chapter 5: (Re)fashioning Race and Music
Introduction: Introducing Bruno Mars Chapter 1: New Music Nostalgia, Or, Is What's Old New Again? Chapter 2: Blurred Boundaries, or Reading Between the Lines Chapter 3: The Performative Politics of Blackness Chapter 4: The Sonic Politics of Pleasure, Or Love and Joy in a Time of Trauma and Tragedy Chapter 5: (Re)fashioning Race and Music
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