This volume collates the writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world. The essays explore the forms these performances can take: agit-prop; invisible theatre; demonstrations and rallies; direct action; puppetry; parades and pageants; performance art; guerrilla theatre; and circuses. The essays look at performances in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia. This collection of key texts…mehr
This volume collates the writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world. The essays explore the forms these performances can take: agit-prop; invisible theatre; demonstrations and rallies; direct action; puppetry; parades and pageants; performance art; guerrilla theatre; and circuses. The essays look at performances in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia.This collection of key texts brings together for the first time material from around the world. Radical Street Performance maps out the terrain of street performance, examining its multitude of purposes, forms and audiences.
General introduction 1: Peter Handke Part One: Agit-Prop 1: Introduction 2: Introduction by Vladimir Tolstoy Documents Edited by Vladimir Tolstoy, Irina Bibikova And Catherine Cooke 3: Edgar Snow 4: Safdar Hashmi 5: Suzanne Lacy and Leslie Labowitz 6: Alisa Solomon 7: Dubravka Knezevic Part Two: Witness 2: Introduction 8: Steven Durland 9: Diana Taylor 10: Marguerite Waller 11: Jan Cohen-Cruz 12: Dan Sullivan 13: Sudipto Chatterjee 14: Hollis Giammatteo Part Three: Integration 3: Introduction 15: Augusto Boal 16: Adrian Piper 17: Lauren Berlant and Elizabeth Freeman 18: from THE DIMENSION OF SOCIAL EXTERIORITY IN THE PRODUCTION 19: Living on the Street 20: from TAKING DIRECT ACTION Part Four: Utopia 4: Introduction 21: from Triumph Des Willens (Triumph of the Will, 1935) 22: Notes on Political Street Theatre, Paris 23: from Letter from the South of Italy 24: America has more Television Sets than Toilets 25: from The Street is the Stages 26: from The Celebratory Performance of John fox and Welfare State International Part Five: Tradition 5: Introduction 27: Health Theatre in a Hmong Refugee Camp 28: Communal Space and Performance in Africa 29: from The Language of African Theatre 30: from EL Teatro Campesino and the Mexican Popular Performance Tradition 31: The Taumbayan as Epic Hero,the Audience as Community 32: A Queer Circus Amok in New York 33: Louder than Traffic Bread and Puppet Parades 34: Notes toward an Unwritten History of Anti-apartheid Street Performance
General introduction 1: Peter Handke Part One: Agit-Prop 1: Introduction 2: Introduction by Vladimir Tolstoy Documents Edited by Vladimir Tolstoy, Irina Bibikova And Catherine Cooke 3: Edgar Snow 4: Safdar Hashmi 5: Suzanne Lacy and Leslie Labowitz 6: Alisa Solomon 7: Dubravka Knezevic Part Two: Witness 2: Introduction 8: Steven Durland 9: Diana Taylor 10: Marguerite Waller 11: Jan Cohen-Cruz 12: Dan Sullivan 13: Sudipto Chatterjee 14: Hollis Giammatteo Part Three: Integration 3: Introduction 15: Augusto Boal 16: Adrian Piper 17: Lauren Berlant and Elizabeth Freeman 18: from THE DIMENSION OF SOCIAL EXTERIORITY IN THE PRODUCTION 19: Living on the Street 20: from TAKING DIRECT ACTION Part Four: Utopia 4: Introduction 21: from Triumph Des Willens (Triumph of the Will, 1935) 22: Notes on Political Street Theatre, Paris 23: from Letter from the South of Italy 24: America has more Television Sets than Toilets 25: from The Street is the Stages 26: from The Celebratory Performance of John fox and Welfare State International Part Five: Tradition 5: Introduction 27: Health Theatre in a Hmong Refugee Camp 28: Communal Space and Performance in Africa 29: from The Language of African Theatre 30: from EL Teatro Campesino and the Mexican Popular Performance Tradition 31: The Taumbayan as Epic Hero,the Audience as Community 32: A Queer Circus Amok in New York 33: Louder than Traffic Bread and Puppet Parades 34: Notes toward an Unwritten History of Anti-apartheid Street Performance
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309