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This volume explores the political life of rage as it has been experienced and mobilized in the Francosphere since 1968. If mai is remembered as a failure to convert insurrectionary feeling into lasting political change, the vast number of activist groups who have alchemized their anger into resistance over the past fifty years are a testament to the continued, necessary role of rage in political life.
This volume traces the various morphologies of anger across French-language literature, thought, cinema and activism. From Black feminisms to punk, flamboyance to suicide, cacophonous sound
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Produktbeschreibung
This volume explores the political life of rage as it has been experienced and mobilized in the Francosphere since 1968. If mai is remembered as a failure to convert insurrectionary feeling into lasting political change, the vast number of activist groups who have alchemized their anger into resistance over the past fifty years are a testament to the continued, necessary role of rage in political life.

This volume traces the various morphologies of anger across French-language literature, thought, cinema and activism. From Black feminisms to punk, flamboyance to suicide, cacophonous sound to riotous song, the contributions probe the aesthetics and politics of rage. This collection also examines the uneven legitimization of political anger - how rage is allowed to be expressed, by whom and in which contexts. Rage is often dismissed as inimical to proper academic inquiry: what unites the contributions in this publication is a commitment to thinking with feeling.
Autorenporträt
Jasmine Cooper is the Fairlie-Hutchinson Research Fellow in French at Girton College, Cambridge.

Lili Owen Rowlands is a Leverhulme Early Career Research Fellow in French at Royal Holloway, University of London.

Katie Pleming is an Early Career Teaching and Research Fellow in French and Francophone Studies at the University of Edinburgh.